“The ghost within the ghost in the machine”: An Interview with Jerome McGann
Focusing mostly on McGann’s recent work, this interview addresses the reasons underlying his critical moves, and looks at his scholarly poetics of interpretation as a material engagement with imaginative works.
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McGANN, Jerome (1983). A Critique of Modern Textual Criticism. Chicago: University of Chicago Press.
McGANN, Jerome (1988). Social Values and Poetic Acts: The Historical Judgment of Literary Works. Cambridge, MA: Harvard University Press.
McGANN, Jerome (1989). Towards a Literature of Knowledge. Chicago: University of Chicago Press.
McGANN, Jerome (1991). The Textual Condition. Princeton, NJ: Princeton University Press.
McGANN, Jerome (1993). Black Riders: The Visible Language of Modernism. Princeton, NJ: Princeton University Press.
McGANN, Jerome (1996). “The Rationale of Hypertext.” Text 9: 11–32. http://www.jstor.org/stable/20698008
McGANN, Jerome (2001). Radiant Textuality: Literature after the World Wide Web. New York: Palgrave.
McGANN, Jerome (2006). The Scholar’s Art: Literary Studies in a Managed World. Chicago: University of Chicago Press.
McGANN, Jerome (2007). The Point Is to Change It: Poetry and Criticism in the Continuing Present. Tuscaloosa: University of Alabama Press.
McGANN, Jerome, ed. (2008). Rossetti Archive. http://www.rossettiarchive.org/
McGANN, Jerome (2009). Are the Humanities Inconsequent? Interpreting Marx’s Riddle of the Dog. Chicago: Prickly Paradigm Press.
McGANN, Jerome (2013). “Philology in a New Key.” Critical Inquiry 39.2: 327–346. http://www.jstor.org/stable/10.1086/668528
McGANN, Jerome (2014). A New Republic of Letters: Memory and Scholarship in the Age of Digital Reproduction. Cambridge, MA: Harvard University Press.
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