As Superfícies Raras da Escrita de Ruy Duarte de Carvalho

  • Sonia Miceli

Abstract

In this article, I examine the ways in which literature and cinema interact in the work of Ruy Duarte de Carvalho, focusing on the cinematic writing of the poems of sinais misteriosos… já se vê… and the novel Os papéis do Inglês. In these texts, the cinematic image sometimes appears as a strange copy of reality, other times as a vision that creates other realities, and other times as something connected to memory. Cinema, with its visual and sound components, challenges the limits of literary language. At the same time it provides new possibilities for poetry and narrative, which emerge from their encounter with the language of cinema.

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References

BAL, Mieke (2006). “Over-writing as un-writing: descriptions, world-making, and novelistic time”, The novel, volume 2. Forms and themes. Ed. Franco Moretti, Princeton: Princeton University Press, pp. 571-608.

CARVALHO, Ruy Duarte de (1980). sinais misteriosos… já se vê…, Lisboa: Edições 70.

CARVALHO, Ruy Duarte de (2000). Os papéis do Inglês, Lisboa: Cotovia.

CARVALHO, Ruy Duarte de (2005). Lavra. Poesia reunida 1970/2000, Lisboa: Cotovia.

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Published
2014-03-28
How to Cite
MICELI, Sonia. As Superfícies Raras da Escrita de Ruy Duarte de Carvalho. MATLIT: Materialities of Literature, [S.l.], v. 1, n. 2, p. 39-55, mar. 2014. ISSN 2182-8830. Available at: <https://impactum-journals.uc.pt/matlit/article/view/1655>. Date accessed: 18 sep. 2019. doi: https://doi.org/10.14195/1655.
Section
Secção Temática | Thematic Section

Keywords

Ruy Duarte de Carvalho; Literature and Cinema; Cinematic Writing; Interart Studies