Vox Mediascape: An Audio Guide
This article contains the presentation of fifteen sound works selected for publication in the section "Mediarama" of MATLIT 5.1.
BIJSTERVELD, Karin, and José van Dijck, eds. (2009). Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press.
CUSSEN, Felipe (2014). “Quise grabar un disco de poesía sonora, pero me salió música electrónica.” CECLI - Centro de Estudios de Cosas Lindas e Inútiles. 13 Jan 2018. http://ceclirevista.wordpress.com/2014/07/23/quise-grabar-un-disco-de-poesia-sonora-pero-me-salio-musica-electronica/
CURTIN, Adrian (2016). Avant-Garde Theatre Sound: Staging Sonic Modernity. Basingstoke: Palgrave Macmillan.
DENNING, Michael (2015). Noise Uprising: The Audiopolitics of a World Musical Revolution. London: Verso.
LABELLE, Brandon (2014). Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary. London: A&C Black/ Bloomsbury.
LOVELL, Stephen (2015). Russia in the Microphone Age: A History of Soviet Radio, 1919-1970. Oxford: Oxford University Press.
McCAFFERY, Steve, and Enzo Minarelli (2014). “Steve McCaffery.” As Razões da Voz: Entrevistas com Protagonistas da Poesia Sonora no Século XX, Londrina: EDUEL. 144–62.
NEUMARK, Norie (2017). Voicetracks: Attuning to Voice in Media, and the Arts. Cambridge, MA: The MIT Press.
PERLOFF, Marjorie, and Craig Douglas Dworkin, eds. (2009). The Sound of Poetry, the Poetry of Sound. Chicago: The University of Chicago Press.
RUBERY, Matthew, ed. (2011). Audiobooks, Literature, and Sound Studies. London: Routledge.
SCALES, Rebecca (2016). Radio and the Politics of Sound in Interwar France, 1921-1939. Cambridge: Cambridge University Press.
SMITH, Jacob (2008). Vocal Tracks: Performance and Sound Media. Los Angeles, CA: University of California Press.
STERNE, Jonathan (2012). MP3: The Meaning of a Format. Durham, NC: Duke University Press.
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