Ele Canta o Corpo Elétrico: Câmara Neuronal como Performance Pós-humanista e Pós-digital

  • Sandra Bettencourt CLP, Universidade de Coimbra (Programa de Doutoramento em Materialidades da Literatura, Bolseira FCT)
Palavras-chave: performance, intermediação, liveness, pós-humanismo, pós-digital.

Resumo

Neste artigo pretendo relacionar a performance multimodal e multimédia Câmara Neuronal (2012) com noções como mediação em performances ao vivo, pós-humanismo e pós-digital. O estabelecimento destas relações, informado por paradigmas da cultura digital (bases de dados e arquivos digitais), sugere que o conceito de mediação no âmbito de Câmara Neuronal deve ser, em primeiro lugar, entendido como “intermediação” (Hayles, 2008). Este conceito revela-se pertinente na reflexão acerca dos fluxos que operam e atravessam toda a performance: Câmara Neuronal desenvolve-se através de processos de retroação entre subjetividades computacionais e humanas, com base num modelo de distribuição dos processos cognitivos entre entidades biológicas e tecnológicas.

 

DOI: http://dx.doi.org/10.14195/2182-8830_3-1_4

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Biografia Autor

Sandra Bettencourt, CLP, Universidade de Coimbra (Programa de Doutoramento em Materialidades da Literatura, Bolseira FCT)

SANDRA BETTENCOURT holds a doctoral scholarship from FCT (Portuguese Foundation for Science and Technology) and is currently a doctoral student in the FCT PhD Program in Materialities of Literature at the University of Coimbra. From 2011 to 2013 she was a research fellowship holder (Project CILM – City and (In)security in Literature and the Media) at the Centre for Comparative Studies, University of Lisbon. She holds a degree in Art Studies, as well as an MA in Literary and Cultural Studies. She has taken part in international scientific meetings and her papers are printed in several journals and publications. She is member of the Editorial Board of the peer reviewed academic journal MATLIT. She is also the co-editor of the book (In)Seguranças no Espaço Urbano (Húmus, 2012) and of Fear and Fantasy in a Global World (Rodopi, 2015). 

Referências

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Publicado
2015-10-28
Secção
Secção Temática | Thematic Section