Ele Canta o Corpo Elétrico: Câmara Neuronal como Performance Pós-humanista e Pós-digital

Autores

  • Sandra Bettencourt CLP, Universidade de Coimbra (Programa de Doutoramento em Materialidades da Literatura, Bolseira FCT)

DOI:

https://doi.org/10.14195/2182-8830_3-1_4

Palavras-chave:

performance, intermediação, liveness, pós-humanismo, pós-digital.

Resumo

Neste artigo pretendo relacionar a performance multimodal e multimédia Câmara Neuronal (2012) com noções como mediação em performances ao vivo, pós-humanismo e pós-digital. O estabelecimento destas relações, informado por paradigmas da cultura digital (bases de dados e arquivos digitais), sugere que o conceito de mediação no âmbito de Câmara Neuronal deve ser, em primeiro lugar, entendido como “intermediação” (Hayles, 2008). Este conceito revela-se pertinente na reflexão acerca dos fluxos que operam e atravessam toda a performance: Câmara Neuronal desenvolve-se através de processos de retroação entre subjetividades computacionais e humanas, com base num modelo de distribuição dos processos cognitivos entre entidades biológicas e tecnológicas.

 

DOI: http://dx.doi.org/10.14195/2182-8830_3-1_4

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Biografia Autor

Sandra Bettencourt, CLP, Universidade de Coimbra (Programa de Doutoramento em Materialidades da Literatura, Bolseira FCT)

SANDRA BETTENCOURT holds a doctoral scholarship from FCT (Portuguese Foundation for Science and Technology) and is currently a doctoral student in the FCT PhD Program in Materialities of Literature at the University of Coimbra. From 2011 to 2013 she was a research fellowship holder (Project CILM – City and (In)security in Literature and the Media) at the Centre for Comparative Studies, University of Lisbon. She holds a degree in Art Studies, as well as an MA in Literary and Cultural Studies. She has taken part in international scientific meetings and her papers are printed in several journals and publications. She is member of the Editorial Board of the peer reviewed academic journal MATLIT. She is also the co-editor of the book (In)Seguranças no Espaço Urbano (Húmus, 2012) and of Fear and Fantasy in a Global World (Rodopi, 2015). 

Referências

AUSLANDER, Philip (1999). Liveness: Performance in a Mediatized Culture. London: Routledge.

BENJAMIN, Walter (2008). The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media. Tr. Edmund Jephcott, Rodney Livingstone, Howard Eiland. Eds Michael W. Jennings, Brigid Doherty, Thomas Y. Levin. Cambridge: The Belknap Press of Harvard University Press.

CASCONE, Kim (2000). “The Aesthetics of Failure: “Post-Digital” Tendencies in Contemporary Computer Music.” Computer Music Journal 24.4. Cambridge: MIT Press: 12-18.

CRAMER, Florian (2014). “What is ‘Post-digital’?” APRJA. Post-Digital Re-search 3.1. 5 de novembro de 2014. http://www.aprja.net/?p=1318.

CRAMER, Florian (2012). “Post-Digital Writing.” Electronic Book Review. 5 de novembro de 2014. http://www.electronicbookreview.com/thread/electropoetics/postal.

DRUCKER, Johanna (2011). “Humanities Approaches to Interface Theory.” Culture Machine 12: 1-20. 27 de novembro de 2014. http://www.culturemachine.net/index.php/cm/article/view/434/462.

ERNST, Wolfgang (2013). Digital Memory and the Archive. Minneapolis: University of Minnesota Press.

HARAWAY, Donna (1991). “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” Simians, Cyborgs and Women: The Reinvention of Nature. New York: Routledge.149-181.

HAYLES, N. Katherine (2008). “Intermediation: From Page to Screen.” Electronic Literature: New Horizons for the Literary. Notre Dame, IN: Notre Dame University Press. 43-86.

HAYLES, N. Katherine (1999). How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: The University of Chicago Press.

MANOVICH, Lev (2008). “Database as Symbolic Form.” Database Aesthetics: Art in the Age of Information Overflow. Ed. Victoria Vesna. Minneapolis: University of Minnesota Press. 39-60.

MIAH, Andy (2008). “A Critical History of Posthumanism.” Medical En-hancements and Posthumanity. Eds. R. Chadwick e B. Gordijn. Dordrecht: Springer. 71-94.

MOURA, João Martinho, et. al. (2013). “Câmara Neuronal: a Neuro/Visual/ Audio Performance.” xCoAx 2013: Proceedings of the First Conference on Computation, Communication, Aesthetics and X. Bergamo, Itália. Eds Mario Verdicchio e Miguel Carvalhais. 4 de novembro de 2014. http://2013.xcoax.org/pdf/xcoax2013-moura.pdf

WOLFE, Cary (2010). What Is Posthumanism?. Minneapolis: University of Minnesota Press.

MatLit_3.1 (cover)

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Publicado

2015-10-28

Como Citar

Bettencourt, Sandra. 2015. «Ele Canta O Corpo Elétrico: Câmara Neuronal Como Performance Pós-Humanista E Pós-Digital». Matlit: Materialidades Da Literatura 3 (1):55-71. https://doi.org/10.14195/2182-8830_3-1_4.

Edição

Vol. 3 N.º 1 (2015): Artes, Média e Cultura Digital

Secção

Secção Temática | Thematic Section

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