A Literatura Eletrónica como Construção Paratextual
DOI:
https://doi.org/10.14195/2182-8830_6-1_1Palavras-chave:
paratexto, autodescrição sistémica, poesia experimental, institucionalização, sinais poetológicosResumo
A discussão que aqui se apresenta tem como objetivo refletir acerca do modo como a literatura eletrónica e os campos a ela filiados ou relacionados se autodescrevem paratextualmente. Argumentarei que a construção social da ‘literatura eletrónica’ é dominada pela sua autodescrição sistémica. A construção paratextual trabalha com a atribuição do nome de género ‘literatura eletrónica’ e descrições discursivas ou reflexões sobre fenómenos da prática artística e foi institucionalizada em grande medida pela Electronic Literature Organization. O argumento é desenvolvido observando práticas paratextuais em narrativas fundadoras, arquivos e coleções relacionadas com a ELO. Esta perspectiva é contextualizada examinando as autodescrições na pré-história da e-lit dentro do programa artístico de experimentação poiética.
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Referências
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HAYLES, N. Katherine (2007). “Electronic Literature: What is it?.” 9 June 2018. http://eliterature.org/pad/elp.html.
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LUHMANN, Niklas (2000). Art as a Social System. Stanford, CA: Stanford University Press.
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MELO E CASTRO, Ernesto M. (2014 [1965]). “Experimental Poetry”. PO.EX. Essays from Portugal on Cyberliterature & Intermedia by Pedro Barbosa, Ana Hatherly, and E.M. de Melo e Castro. Eds. Rui Torres and Sandy Baldwin. Morgantown: Center for Literary Computing. 71–76. https://www.po-ex.net/pdfs/meloecastro_ch7.pdf
REICHARDT, Jasia (1968). “Introduction.” Cybernetic Serendipity – the computer and the arts. Ed. Jasia Reichardt. London, New York: Studio International. 5.
RETTBERG, Jill Walker (2012). “Electronic Literature Seen from a Distance. The Beginnings of a Field.” Dichtung Digital 41. 9 June 2018. http://www.dichtung-digital.de/journal/archiv/?postID=278
RETTBERG, Scott (2012). “Developing an Identity for the Field of Electronic Literature. Reflections on the Electronic Literature Organization Archives.” Dichtung Digital 41. 9 June 2018. http://www.dichtung-digital.org/2012/41/rettberg.htm
ROUX, Jean-Luis (1964). “no title.” Jean A. Baudot, La machine à écrire, mise en marche et programmé par Jean A. Baudot. Montréal: Les Éditions du Jour. 83–88.
TABBI, Joseph (n.d.). “Manifesto.” 9 June 2018. http://cellproject.net/manifesto
TORRES, Rui, and Manuel Portela (2013). “Géneros da Poesia Experimental Portuguesa.” 9 June 2018. http://po-ex.net/generos
VAN DIJK, Yra (2014). “The Margins of Bookishness: Paratexts in Digital Literature.” Examining Paratex tual Theory and its Applications in Digital Culture. Eds. Nadine Desrochers and Daniel Apollon. Her-shey: Information Science Reference. 24–45.
BAILEY, Richard (1973). “Preface.” Computer Poems. Ed. Richard Bailey. Drummond Island, MI: Po-togannissing Press. n.p.
BLOCK, Friedrich W. (2010). “How to Construct the Genre of Digital Poetry. A User Manual.” Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres. Eds. Jörgen Schäfer and Peter Gendolla. Bielefeld: Transcript. 391–402.
BLOCK, Friedrich W. (2000). “Vorwort: p0es1s – international digital poetry.” p0es1s – Internationale digitale Poesie / International Digital Poetry. Ed. F. W. Block. Kassel: Jenior. n.p.
BLOCK, Friedrich W. (2015). p0es1s. Rückblick auf die digitale Poesie. Graz, Klagenfurt: Ritter.
BOLTER, Jay David (1985). “The Idea of Literature in the Electronic Medium.” Computers in the Liberal Arts 39: 23–34.
DESROCHERS, Nadine and Daniel Apollon, eds. (2014). Examining Paratextual Theory and its Applications in Digital Culture. Hershey: Information Science Reference.
EMERSON, Lori (2011). “on ‘e-literature’ as a field.” 9 June 2018. https://loriemerson.net/2011/10/12/on-e-literature-as-a-field/
GARNIER, Pierre (1964). “Position I du Movement International.” Les Lettres 8(32). Quoted from: Garnier, Pierre (1968). Spatialisme et poésie concrète. Paris: Éditions Gallimard.
GENETTE, Gérard (1997). Paratexts. Thresholds of interpretation. Cambridge: Cambridge University Press.
HAYLES, N. Katherine (2007). “Electronic Literature: What is it?.” 9 June 2018. http://eliterature.org/pad/elp.html.
KAC, Eduardo (1996). “Introduction.” Visible Language 30(2): 98–101.
LAIRE, ed. (1989). alire. révue animée d´écrits de source électronique 1.
LUHMANN, Niklas (2000). Art as a Social System. Stanford, CA: Stanford University Press.
LUHMANN, Niklas (1995). Social Systems. Stanford, CA: Stanford University Press.
MELO E CASTRO, Ernesto M. (2014 [1965]). “Experimental Poetry”. PO.EX. Essays from Portugal on Cyberliterature & Intermedia by Pedro Barbosa, Ana Hatherly, and E.M. de Melo e Castro. Eds. Rui Torres and Sandy Baldwin. Morgantown: Center for Literary Computing. 71–76. https://www.po-ex.net/pdfs/meloecastro_ch7.pdf
REICHARDT, Jasia (1968). “Introduction.” Cybernetic Serendipity – the computer and the arts. Ed. Jasia Reichardt. London, New York: Studio International. 5.
RETTBERG, Jill Walker (2012). “Electronic Literature Seen from a Distance. The Beginnings of a Field.” Dichtung Digital 41. 9 June 2018. http://www.dichtung-digital.de/journal/archiv/?postID=278
RETTBERG, Scott (2012). “Developing an Identity for the Field of Electronic Literature. Reflections on the Electronic Literature Organization Archives.” Dichtung Digital 41. 9 June 2018. http://www.dichtung-digital.org/2012/41/rettberg.htm
ROUX, Jean-Luis (1964). “no title.” Jean A. Baudot, La machine à écrire, mise en marche et programmé par Jean A. Baudot. Montréal: Les Éditions du Jour. 83–88.
TABBI, Joseph (n.d.). “Manifesto.” 9 June 2018. http://cellproject.net/manifesto
TORRES, Rui, and Manuel Portela (2013). “Géneros da Poesia Experimental Portuguesa.” 9 June 2018. http://po-ex.net/generos
VAN DIJK, Yra (2014). “The Margins of Bookishness: Paratexts in Digital Literature.” Examining Paratex tual Theory and its Applications in Digital Culture. Eds. Nadine Desrochers and Daniel Apollon. Her-shey: Information Science Reference. 24–45.
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Publicado
2018-08-10
Como Citar
Block, Friedrich W. 2018. «A Literatura Eletrónica Como Construção Paratextual». Matlit: Materialidades Da Literatura 6 (1):11-26. https://doi.org/10.14195/2182-8830_6-1_1.
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Secção Temática | Thematic Section
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