Localizando Novas Práticas Literárias em Espaços Digitais Indianos
DOI:
https://doi.org/10.14195/2182-8830_6-1_11Palavras-chave:
novas práticas literárias, ambiente digital, Índia, práticas literárias antigasResumo
Neste ensaio, localizamos e exploramos novas práticas e expressões literárias em espaços digitais indianos, tais como romances em SMS e narrativas nos média sociais: poesia, ficção-flash, ficção-twitter que não são considerados literatura eletrónica na Índia. A integração de tecnologia e criatividade não é um fenómeno novo na literatura indiana, onde se pode encontrar uma tradição narrativa da literatura indiana antiga que inclui palavra, pintura e música, por exemplo, Pattachitra, pinturas de Ragamala e Chitra Kavi. Da mesma forma, as novas práticas e expressões literárias no ambiente digital incluem artefactos literários como interfaces, imagens, áudio e vídeo. Estas obras servem como porta de entrada para a literatura eletrónica na Índia.
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Referências
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BRONWEN, Thomas (2014). “140 Characters in Search of a Story: Twitterfiction as an Emerging Narrative Form.” Analyzing Digital Fiction. Ed. Alice Bell et.al. NY: Routledge.
CONDRA, Rashmi Arvind (2004). “Ragamala Paintings & Rajput Art of India (18th c.).” Anistoriton History Archaeology Art History. 8. 12 May. 2017. http://www.anistor.gr/english/enback/o041.htm.
DASA, R., Jahnava Devi. (2005). “The Sun Feature Stories Panoramic Palmleaf Manuscripts of Orissa.” 11 Nov. 2016. http://www.harekrsna.com/sun/features/02-07/features555.htm.
English Poetry in India (n.d). Facebook, 29 Jun. 2017. https://www.facebook.com/groups/191736614223767/
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“Gita Govinda” (Song of the Cowherd) (2015). Wikimedia Commons. 4 Apr. 2017. https://commons.wikimedia.org/wiki/File:Gita_Govinda_(Song_of_the_Cowherd)_Manuscript_LACMA_M.71.1.33.jpg.
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FLORES, Leonardo (2017). “Latin American, Caribbean and global electronic literature: generations, phases and traditions.” Artelogie, 11. 15 Feb 2018. http://journals.openedition.org/artelogie/1590.
HARIKUMAR, P. R. (n.d). Neelakkannukal (Blue Eyes). 4 Jan. 2016. https://sites.google.com/site/prharikumar/download.
HAYLES, N. Katherine (2002). Writing Machines. Cambridge, MA: The MIT Press.
HAYLES, N. Katherine (2004). “ ‘Print is flat, code is deep’: The importance of media-specific analysis.” Poetics Today, 25. 1, pp. 67-90. 4 Apr. 2017. https://doi.org/10.1215/03335372-25-1-67
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ENKINS, Henry (2004). “Game Design as Narrative Architecture.” Electronic Book Review. 4 Apr. 2017. http://www.electronicbookreview.com/thread/firstperson/lazzi-fair.
JONES, Constance, and James D. Ryan (2006). Encyclopedia of Hinduism (Encyclopedia of World Religions). NY: Facts on File.
KEMPTON, Karl (2010). “Visual Poetry: A Brief Overview of Ancestors and Traditions to The Present.” Paper presented at the Oceano, California. The Last Vispo. 29 May. 2017. http://www.thelastvispo.com/2012/04/07/karl-kempton-visual-poetry-a-brief-overview-of-ancestors-and-traditions-to-the-present-wbibliography/.
KHUSNER, Scott (2015). “Comparative Non-Literature and Everyday Digital Textuality.” The 2014 – 2015 Report on the State of the Discipline of Comparative Literature. 30 May. 2017. https://stateofthediscipline.acla.org/entry/comparative-non-literature-and-everyday-digital-textuality-0.
MEMMOT, Talan (2013). “Beyond Taxonomy: Digital Poetics and the Problem of Reading.” New Media Poetics: Contexts, Technotexts, and Theories, Eds. Adalaide Kirby Morris and Thomas Swiss. Cam-bridge, MA: The MIT Press.
MEURER, David M. (2012). “Towards Network Narrative: Electronic Literature, Communication Technologies, and Cultural Productions.” Dichtung Digital 3-4. 12 Apr. 2017. http://www.dichtung-digital.de/en/journal/aktuelle-nummer/?postID=593.
MILLER, Barbara Stoler, George Hawley, eds. and trans. (1998). Love Song of the Dark Lord Jayadeva’s Gitagovinda. NY: Columbia University Press.
MUKERJEE, Souvik (2017). “‘No Country for E-Lit?’ – India and Electronic Literature.” Hyperrhiz New Media Cultures. 09 May. 2017. https://doi.org/10.20415/hyp/016.e08.
NORMAN, Katharine (2016). “Window.” 03 March. 2017. http://collection.eliterature.org/3/work.html?work=window.
“Only 20 per cent Indians have access to Internet: Study” (2015). Indian Express. 24 Mar. 2016. http://indianexpress.com/article/technology/social/only-20-pc-indians-have-access-to-internet-study/.
ORMSTAD, Ottar (2016). “When.” 02 Apr. 2017. http://collection.eliterature.org/3/work.html?work=when.
Paperless Postcards (2016). Facebook. 29 Jun. https://www.facebook.com/paperlesspostcards/.
PAWLICKA, Urszula Anna (2016). “Visualizing Electronic Literature Collections.” CLCWeb: Comparative Literature and Culture 18.1. 3 Mar. 2017. https://doi.org/10.7771/1481-4374.2902.
PRESSMAN, Jessica (2014). “Electronic Literature as Comparative Literature.” The 2014 – 2015 Report on the State of the Discipline of Comparative Literature. 30 May. 2017. https://stateofthediscipline.acla.org/entry/electronic-literature-comparative-literature-0.
PULLINGER, Kate, and Chris Joseph (2011). Flight Path. 30 Jan. 2017. http://collection.eliterature.org/2/works/pullinger_flightpaths.html.
RADHAKRISHNAN, Abhimanyu (2009). “First Android Phone in India launched today.” The Economic Times. 18 May 2018. https://economictimes.indiatimes.com/tech/hardware/first-android-phone-in-india-launched-today/articleshow/4689118.cms
“Ragamala paintings” (2017). Wikipedia. 29 Jun. 2017. https://en.wikipedia.org/wiki/Ragamala_paintings.
RAJARAMAN, V (2012). “History of Computing in India 1955-2010.” Supercomputer Education And Re-search Centre Indian Institute Of Science, Bangalore. 18 May 2018. http://www.cbi.umn.edu/hostedpublications/pdf/Rajaraman_HistComputingIndia.pdf.
RETTBERG, Scott (2009). “Communitizing Electronic Literature.” Digital Humanities Quarterly 3.2. 3 Mar. 2017. http://www.digitalhumanities.org/dhq/vol/3/2/000046/000046.html.
RETTBERG, Scott (2014). “Electronic Literature.” The Johns Hopkins Guide to Digital Media Eds. Marie-Laure Ryan, Lori Emerson, and Benjamin J. Robertson. Baltimore, MD: Johns Hopkins University Press.
ROY, Dhananjoy (2012). “Cell Phone Novel: A New Genre of Literature.” Language In India: Strength for Today and Bright Hope for Tomorrow 12. 3, pp. 81–95. 3 Mar. 2017. www.languageinindia.com/march2012/cellphonenoveldhananjoyfinal.pdf.
SAMANTARAY, Prafulla Kumar (2005). “Patta Chitra – It’s Past and Present.” Orissagov.nic.in, 3 Mar. 2017. https://web.archive.org/web/20090410050953/http://orissagov.nic.in/e-magazine/Orissareview/dec2005/engpdf/patta_chitra_its_past_and_present.pdf
SASTRIYAR , Surya Narayana (1939). Details of Chitra kavi. Eds. Palaram Iyer. Scribd. 20 May. 2017. https://www.scribd.com/doc/268383450/details-of-chitra-kavi-in-tamil.
SINGH, Ritika (2016). “Based on Brevity: Fiction in 140 Characters or Less.” [sic] - A Journal of Literature, Culture and Literary Translation 1.7. 3 Mar. 2017. https://www.sic-journal.org/ArticleView.aspx?lang=en&aid=435
SREEDHARAN, Chindu (2014). Epic retold: #Mahabharata #twitterFiction #Bhima #140 characters. Noida: HarperCollins.
SUNEETHA (2009). “Bangalore: SMS soaps on mobile.” Techgoss.com. 4 Apr. 2016. http://www.techgoss.com/Story/294S12-Bangalore--nbsp--SMS-soaps-on-mobile.aspx.
The Editors of Encyclopædia Britannica (2013). “Gitagovinda.” Encyclopædia Britannica. 29 Jun. 2017. https://www.britannica.com/topic/Gitagovinda.
Terrible Tiny Tales (2013). Facebook 29 Jun. 2017. https://www.facebook.com/terriblytinytales/.
URIBE, Ana Maria (2016). “Tipoemas y Anipoemas.”3 Mar 2017. http://collection.eliterature.org/3/work.html?work=tipoemas-y-anipoemas.
WIESE, Maíra Borges, and Daniele Giampa eds. (2015). “Interview with Alan Bigelow.” Electronic Literature Review. 4 Mar. 2017. https://electronicliteraturereview.wordpress.com/2015/04/09/interview-with-alan-bigelow/.
“Word Structures and special organization (Chitra Kavi).” Acharya Multilingual Computing for Literacy Education. 29 Jun. 2017. http://www.acharya.gen.in:8080/linguistics/word_structures.php.
YOUNG, Karl (1984). “Notation and the Art of Reading.” Open Letter. 4 Apr. 2016. http://www.thing.net/~grist/ld/young/notation/notate.htm.
“2017 Mobile Internet Report.” Internet and Mobile Association of India. 18 May 2018. http://www.iamai.in/sites/default/files/research/pdf/Mobile%20Internet%20Report%202017.pdf.
“About Us - Terribly Tiny Tales” (2013). Facebook. 29 Jun. 2017. https://www.facebook.com/pg/terriblytinytales/about/?ref=page_internal.
ADIL, Sahar (2009). “Pinki Virani’s ‘Deaf Heaven’ in Audio-Mobile Book.” MyBangalore. 30 May. 2017. http://www.mybangalore.com/article/0709/pinki-viranis-deaf-heaven-in-audio-mobile-book.html.
AVNISAN, Abraham (2016). “Collocations.” 4 Mar. 2017. http://collection.eliterature.org/3/work.html?work=collocations.
BALDWIN, Sandy, Reham Hosny, and Kwabena Opoku-Agyemang (2017). “Introduction.” Hyperrhiz New Media Cultures. May 07. 2017. https://doi.org/10.20415/hyp/016.i01.
BOLTER, Jay David (1991). Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale N.J.: Erlbaum.
BOLTER, Jay David, and Richard Grusin (2003). Remediation: Understanding New Media. Cambridge, MA: MIT Press.
BOLUK, Stephanie et. al., eds. (2016). Electronic Literature Collection Volume 3. Cambridge, MA: Electronic Literature Organization. 26 Dec. 2016. http://collection.eliterature.org/3/
BRONWEN, Thomas (2014). “140 Characters in Search of a Story: Twitterfiction as an Emerging Narrative Form.” Analyzing Digital Fiction. Ed. Alice Bell et.al. NY: Routledge.
CONDRA, Rashmi Arvind (2004). “Ragamala Paintings & Rajput Art of India (18th c.).” Anistoriton History Archaeology Art History. 8. 12 May. 2017. http://www.anistor.gr/english/enback/o041.htm.
DASA, R., Jahnava Devi. (2005). “The Sun Feature Stories Panoramic Palmleaf Manuscripts of Orissa.” 11 Nov. 2016. http://www.harekrsna.com/sun/features/02-07/features555.htm.
English Poetry in India (n.d). Facebook, 29 Jun. 2017. https://www.facebook.com/groups/191736614223767/
ELECTRONIC LITERATURE ORGANIZATION (1999). “What is E-Lit?” Electronic Literature Organization. 21 Dec. 2016. http://eliterature.org/what-is-e-lit.
GAYEN, Pinaki (n.d). Priyadarshi Patnaik. “From Popular Culture to Everyday Aesthetics: the Rickshaw Art of Allahabad.” Muse India 66. 12 Apr 12. 2017. http://www.museindia.com/Museindia/Gallery.
“Gita Govinda” (Song of the Cowherd) (2015). Wikimedia Commons. 4 Apr. 2017. https://commons.wikimedia.org/wiki/File:Gita_Govinda_(Song_of_the_Cowherd)_Manuscript_LACMA_M.71.1.33.jpg.
GRIGAR, Dene (2011). “Narration in Social Media.” Presented at The 17th International Symposium on Electronic Art, Istanbul, Turkey. September 14-21, 2011. 29 Jun. 2016. http://isea2011.sabanciuniv.edu/panel/zones-contact-and-fields-consistency-electronic-literature
GUE, Ro (2004). Cloak room. 3825media. 4 Jan. 2016. https://www.blogger.com/profile/06943313941722618609.
GUE, Ro (2004). “Chapter 16.” Cloak room. 3825media. 4 Jan. 2016. http://cloakroom.blogspot.in/2004/12/cloakroom-chptr16.html
“First Android Phone in India launched today” (2009). The Economic Times. 18 May 2018. https://economictimes.indiatimes.com/tech/hardware/first-android-phone-in-india-launched-today/articleshow/4689118.cms
FUNKHOUSER, C.T. (2007). Prehistoric Digital Poetry: An Archeology of Forms, 1959-1995. The University of Alabama Press.
FLORES, Leonardo (2017). “Latin American, Caribbean and global electronic literature: generations, phases and traditions.” Artelogie, 11. 15 Feb 2018. http://journals.openedition.org/artelogie/1590.
HARIKUMAR, P. R. (n.d). Neelakkannukal (Blue Eyes). 4 Jan. 2016. https://sites.google.com/site/prharikumar/download.
HAYLES, N. Katherine (2002). Writing Machines. Cambridge, MA: The MIT Press.
HAYLES, N. Katherine (2004). “ ‘Print is flat, code is deep’: The importance of media-specific analysis.” Poetics Today, 25. 1, pp. 67-90. 4 Apr. 2017. https://doi.org/10.1215/03335372-25-1-67
HAYLES, N. Katherine (2008). Electronic Literature: New Horizons for the Literary. Notre Dame, IN: University of Notre Dame Press.
ENKINS, Henry (2004). “Game Design as Narrative Architecture.” Electronic Book Review. 4 Apr. 2017. http://www.electronicbookreview.com/thread/firstperson/lazzi-fair.
JONES, Constance, and James D. Ryan (2006). Encyclopedia of Hinduism (Encyclopedia of World Religions). NY: Facts on File.
KEMPTON, Karl (2010). “Visual Poetry: A Brief Overview of Ancestors and Traditions to The Present.” Paper presented at the Oceano, California. The Last Vispo. 29 May. 2017. http://www.thelastvispo.com/2012/04/07/karl-kempton-visual-poetry-a-brief-overview-of-ancestors-and-traditions-to-the-present-wbibliography/.
KHUSNER, Scott (2015). “Comparative Non-Literature and Everyday Digital Textuality.” The 2014 – 2015 Report on the State of the Discipline of Comparative Literature. 30 May. 2017. https://stateofthediscipline.acla.org/entry/comparative-non-literature-and-everyday-digital-textuality-0.
MEMMOT, Talan (2013). “Beyond Taxonomy: Digital Poetics and the Problem of Reading.” New Media Poetics: Contexts, Technotexts, and Theories, Eds. Adalaide Kirby Morris and Thomas Swiss. Cam-bridge, MA: The MIT Press.
MEURER, David M. (2012). “Towards Network Narrative: Electronic Literature, Communication Technologies, and Cultural Productions.” Dichtung Digital 3-4. 12 Apr. 2017. http://www.dichtung-digital.de/en/journal/aktuelle-nummer/?postID=593.
MILLER, Barbara Stoler, George Hawley, eds. and trans. (1998). Love Song of the Dark Lord Jayadeva’s Gitagovinda. NY: Columbia University Press.
MUKERJEE, Souvik (2017). “‘No Country for E-Lit?’ – India and Electronic Literature.” Hyperrhiz New Media Cultures. 09 May. 2017. https://doi.org/10.20415/hyp/016.e08.
NORMAN, Katharine (2016). “Window.” 03 March. 2017. http://collection.eliterature.org/3/work.html?work=window.
“Only 20 per cent Indians have access to Internet: Study” (2015). Indian Express. 24 Mar. 2016. http://indianexpress.com/article/technology/social/only-20-pc-indians-have-access-to-internet-study/.
ORMSTAD, Ottar (2016). “When.” 02 Apr. 2017. http://collection.eliterature.org/3/work.html?work=when.
Paperless Postcards (2016). Facebook. 29 Jun. https://www.facebook.com/paperlesspostcards/.
PAWLICKA, Urszula Anna (2016). “Visualizing Electronic Literature Collections.” CLCWeb: Comparative Literature and Culture 18.1. 3 Mar. 2017. https://doi.org/10.7771/1481-4374.2902.
PRESSMAN, Jessica (2014). “Electronic Literature as Comparative Literature.” The 2014 – 2015 Report on the State of the Discipline of Comparative Literature. 30 May. 2017. https://stateofthediscipline.acla.org/entry/electronic-literature-comparative-literature-0.
PULLINGER, Kate, and Chris Joseph (2011). Flight Path. 30 Jan. 2017. http://collection.eliterature.org/2/works/pullinger_flightpaths.html.
RADHAKRISHNAN, Abhimanyu (2009). “First Android Phone in India launched today.” The Economic Times. 18 May 2018. https://economictimes.indiatimes.com/tech/hardware/first-android-phone-in-india-launched-today/articleshow/4689118.cms
“Ragamala paintings” (2017). Wikipedia. 29 Jun. 2017. https://en.wikipedia.org/wiki/Ragamala_paintings.
RAJARAMAN, V (2012). “History of Computing in India 1955-2010.” Supercomputer Education And Re-search Centre Indian Institute Of Science, Bangalore. 18 May 2018. http://www.cbi.umn.edu/hostedpublications/pdf/Rajaraman_HistComputingIndia.pdf.
RETTBERG, Scott (2009). “Communitizing Electronic Literature.” Digital Humanities Quarterly 3.2. 3 Mar. 2017. http://www.digitalhumanities.org/dhq/vol/3/2/000046/000046.html.
RETTBERG, Scott (2014). “Electronic Literature.” The Johns Hopkins Guide to Digital Media Eds. Marie-Laure Ryan, Lori Emerson, and Benjamin J. Robertson. Baltimore, MD: Johns Hopkins University Press.
ROY, Dhananjoy (2012). “Cell Phone Novel: A New Genre of Literature.” Language In India: Strength for Today and Bright Hope for Tomorrow 12. 3, pp. 81–95. 3 Mar. 2017. www.languageinindia.com/march2012/cellphonenoveldhananjoyfinal.pdf.
SAMANTARAY, Prafulla Kumar (2005). “Patta Chitra – It’s Past and Present.” Orissagov.nic.in, 3 Mar. 2017. https://web.archive.org/web/20090410050953/http://orissagov.nic.in/e-magazine/Orissareview/dec2005/engpdf/patta_chitra_its_past_and_present.pdf
SASTRIYAR , Surya Narayana (1939). Details of Chitra kavi. Eds. Palaram Iyer. Scribd. 20 May. 2017. https://www.scribd.com/doc/268383450/details-of-chitra-kavi-in-tamil.
SINGH, Ritika (2016). “Based on Brevity: Fiction in 140 Characters or Less.” [sic] - A Journal of Literature, Culture and Literary Translation 1.7. 3 Mar. 2017. https://www.sic-journal.org/ArticleView.aspx?lang=en&aid=435
SREEDHARAN, Chindu (2014). Epic retold: #Mahabharata #twitterFiction #Bhima #140 characters. Noida: HarperCollins.
SUNEETHA (2009). “Bangalore: SMS soaps on mobile.” Techgoss.com. 4 Apr. 2016. http://www.techgoss.com/Story/294S12-Bangalore--nbsp--SMS-soaps-on-mobile.aspx.
The Editors of Encyclopædia Britannica (2013). “Gitagovinda.” Encyclopædia Britannica. 29 Jun. 2017. https://www.britannica.com/topic/Gitagovinda.
Terrible Tiny Tales (2013). Facebook 29 Jun. 2017. https://www.facebook.com/terriblytinytales/.
URIBE, Ana Maria (2016). “Tipoemas y Anipoemas.”3 Mar 2017. http://collection.eliterature.org/3/work.html?work=tipoemas-y-anipoemas.
WIESE, Maíra Borges, and Daniele Giampa eds. (2015). “Interview with Alan Bigelow.” Electronic Literature Review. 4 Mar. 2017. https://electronicliteraturereview.wordpress.com/2015/04/09/interview-with-alan-bigelow/.
“Word Structures and special organization (Chitra Kavi).” Acharya Multilingual Computing for Literacy Education. 29 Jun. 2017. http://www.acharya.gen.in:8080/linguistics/word_structures.php.
YOUNG, Karl (1984). “Notation and the Art of Reading.” Open Letter. 4 Apr. 2016. http://www.thing.net/~grist/ld/young/notation/notate.htm.
“2017 Mobile Internet Report.” Internet and Mobile Association of India. 18 May 2018. http://www.iamai.in/sites/default/files/research/pdf/Mobile%20Internet%20Report%202017.pdf.
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2018-08-10
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T, Shanmugapriya, e Nirmala Menon. 2018. «Localizando Novas Práticas Literárias Em Espaços Digitais Indianos». Matlit: Materialidades Da Literatura 6 (1):159-74. https://doi.org/10.14195/2182-8830_6-1_11.
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