Os Inícios da Poesia Computacional e a Poesia Concreta
DOI:
https://doi.org/10.14195/2182-8830_6-1_4Palavras-chave:
literatura eletrónica, programação, computação gráfica, poesia concreta, Max Bense, Cybernetic SerendipityResumo
Este artigo destaca a importância atribuída aos programas de computador e à computação gráfica nas primeiras experiências de Literatura Eletrónica. Com base nos textos analisados, a influência da teoria estética de Max Bense e da Poesia Concreta deve ser diminuída. As primeiras antologias da Poesia Concreta continham um número escasso de textos pertencentes a um subgénero que se poderia denominar “Poesia Concreta Computacional.” Quer Franke (1971), quer Bailey (1973) relataram uma presença maior de outros modelos textuais.
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