Os Inícios da Poesia Computacional e a Poesia Concreta

Autores

  • Matteo D'Ambrosio University of Naples Federico II

DOI:

https://doi.org/10.14195/2182-8830_6-1_4

Palavras-chave:

literatura eletrónica, programação, computação gráfica, poesia concreta, Max Bense, Cybernetic Serendipity

Resumo

Este artigo destaca a importância atribuída aos programas de computador e à computação gráfica nas primeiras experiências de Literatura Eletrónica. Com base nos textos analisados, a influência da teoria estética de Max Bense e da Poesia Concreta deve ser diminuída. As primeiras antologias da Poesia Concreta continham um número escasso de textos pertencentes a um subgénero que se poderia denominar “Poesia Concreta Computacional.” Quer Franke (1971), quer Bailey (1973) relataram uma presença maior de outros modelos textuais.

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Publicado

2018-08-10

Como Citar

D’Ambrosio, Matteo. 2018. «Os Inícios Da Poesia Computacional E a Poesia Concreta». Matlit: Materialidades Da Literatura 6 (1):51-72. https://doi.org/10.14195/2182-8830_6-1_4.

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Secção

Secção Temática | Thematic Section