Like a Letter, You
DOI:
https://doi.org/10.14195/2182-8830_5-1_15Keywords:
poesia sonora, mistura áudio, narrativa sonoraAbstract
Like a Letter, You is a collaborative investigation focused on the concept of ‘conversation as an object’. Originally recorded as part of a larger self-produced project titled hEar Pixels, this track manifests as an experimental soundbased reconfiguration of an original essay about handwritten correspondence: How might an analog essay be performed as a digital assemblage of sound? In what ways are the methods of a DJ tied to speech, literature, and dialog? The track is composed using a cut-and-paste process of ‘utterances’, which may be described as units of speech distinct from language that may be oral or written and are inevitably completed by a response[1] which inevitably forms a dialog. Further, these speech units may manifest through gestures associated with digital tools as a form of cultural production[2]. Like a Letter, You includes a reading of the essay aloud, snippets of informal spoken conversations between the authors, and musical bits generated with a touch-based audio mixing platform. In effect, Like a Letter, You embodies the concepts of writing, dialog, and gesture within the genre of sound literature, and it also speaks to the unpredictable nature of collaboration and human interaction.
[1] BAKHTIN, Mikhail (1986). Speech Genres and Other Late Essays. Austin: University of Texas Press.
[2] NOLAND, Carrie (2009). Agency and Embodiment: Performing Gestures/Producing Culture. Cambridge, MA: Harvard University Press.
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NOLAND, Carrie (2009). Agency and Embodiment: Performing Gestures/Producing Culture. Cambridge, MA: Harvard University Press.
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