Digitalizando o Fio de Ariadne: Feminismo, Excriptação e o Desdobrar da Memória em Espaços Digitais
DOI:
https://doi.org/10.14195/2182-8830_6-2_4Palavras-chave:
feminismo, excriptação, cultura da rede, cultura digital, memória, movimentoResumo
Trabalhando contra a instantaneidade da hiperligação, novas formas de práxis feminista usam o movimento e o desdobramento de novos espaços digitais em rede para refazer as histórias do trabalho das mulheres. Neste artigo, introduzimos o conceito de excriptação feminista para caracterizar o tipo de performatividade que recusa a evaporação da diferença sexual e que se baseia na materialidade vivida dos corpos e na sua reinserção na rede.
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Referências
ANGEL, Maria, and Anna Gibbs (2014). “The Ethos of “Walking”: digital writing and the temporal anima-tion of space.” Formules 18: 151-163.
ANGEL, Maria, and Anna Gibbs (2013). “At the Time of Writing: Digital Media, Gesture and Handwriting.” Electronic Book Review. August. http://www.electronicbookreview.com/thread/electropoetics/gesture
ANGEL, Maria, and Anna Gibbs (2011). “Geospatial Aesthetics: Time, Space, Agency and Movement in Electronic Writing.” Sprache und Literatur 108.42: 13-21.
ANGEL, Maria, and Anna Gibbs (2010). “Memory and Motion: The Body in Electronic Writing.” Beyond the Screen: Transformation of Literary Structures, Interfaces, Genres. Eds. Jörgen Schäfer and Peter Gendolla. Bielefeld: Transcript. 123-135.
ANGEL, Maria, and Anna Gibbs (2009). “On Moving and Being Moved: Writing and Corporeality in New Media Art.” Literature and Sensation. Eds. Anthony Uhlmann, Helen Groth, Stephen McLaren. Newcastle upon Tyne: Cambridge Scholars Publishing. 162-172.
BENVENISTE, Emile (1971). Problems in General Linguistics. Trans. Mary Elizabeth Meek. Coral Gables, FL: University of Miami Press.
CAMPBELL, Barbara (2005-2008). 1001 Nights Cast, archived at http://1001.net.au/
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DELEUZE, Gilles, and Felix Guattari (1988). A Thousand Plateaus. Trans. Brian Massumi, London: The Athlone Press.
DENHAM, Ben (2009). Gestural Sense: Art, Neuroscience and Linguistic Embodiment. Phd Diss. Sydney: University of Western Sydney.
DRUCKER, Johanna (2012). “Beyond Conceptualisms: Poetics after Critique and the End of the Individual Voice.” Poetry Project Newsletter. April/May. 6-9.
FLEMING, Nic (2014). “Plants talk to each other using an internet of fungus.” http://www.bbc.com/earth/story/20141111-plants-have-a-hidden-internet
FLUSSER, Vilém (2011). Does Writing Have a Future? Trans. Nancy Ann Roth. Minneapolis: University of Minnesota Press.
FROW, John (1997). “Toute la mémoire du monde.” Time and Commodity Culture: Essays in Cultural Theory and Postmodernity. Oxford: Clarendon Press. 218-246.
GROSZ, Elizabeth (2004). The Nick of Time: Politics, Evolution and the Untimely. Crows Nest NSW: Allen and Unwin.
GUERTIN, Carolyn (2007). “Wanderlust: The Kinesthetic Browser in Cyberfeminist Space”. Extensions: Online Journal of Embodiment and Technology. 3. n.p. 14 November 2017. https://www.researchgate.net/profile/Carolyn_Guertin/publication/271705091_Wanderlust_The_Kinesthetic_Browser_in_Cyberfeminist_Space/links/54cfe4d90cf298d65665c343.pdf
GUERTIN, Carolyn (2000). Incarnation: Heart of the Maze. 12 November 2017. http://www.studiocleo.com/cauldron/volume3/confluence/carolyn_guertin/
JACKSON, Shelley (1995). Patchwork Girl. Eastgate Systems.
IRIGARAY, Luce (1985). This Sex Which Is Not One. Trans. Catherine Porter with Carolyn Burke. Ithaca, N.Y.: Cornell University Press.
MASUMI, Brian (2002). Parables for the Virtual: Movement, Affect, Sensation. Durham, NC: Duke University Press.
ONG, Walter (1982). Orality and Literacy: The Technologizing of the Word. London: Methuen.
PLANT, Sadie (1995). “The Future Looms: Weaving Women and Cybernetics.” Body & Society 1(3-4): 45-64.
PLANT, Sadie (1997). Zeroes and Ones: Digital Women + The New Technoculture. London: Fourth Estate.
PORTELA, Manuel (2013). Scripting Reading Motions: The Codex and the Computer as Self-Reflexive Machines. Cambridge, MA: The MIT Press.
ROTMAN, Brian (2002). “The Alphabetic Body.” Parallax 8.1: 92-104.
Star Trek Discovery (2017). “Context is for Kings.” Season 1, Episode 3. CBS 1st October 2017. Netflix 3 December 2017. https://www.netflix.com/watch/80194753?trackId=200257859
Star Trek Discovery (2010). “Here”. Save Us. Curated by Karen Gaskill. Barnaby Festival, Macclesfield, UK. 12 November 2017. http://www.theportable.tv/here/index.html
SOUTHERN, Jen (2012). “Comobility: How Proximity and Distance Travel Together in Locative Media.” Canadian Journal of Communication 37.1: 75-91.
WERTHEIM, Christine, and Margaret Wertheim (2005-continuing). The Crochet Coral Reef Project. 28 February 2018. http://crochetcoralreef.org/about/index.php
WERTHEIM, Christine, and Margaret Wertheim (2015). The Crochet Coral Reef Project. Los Angeles, Institute for Figuring.
ANGEL, Maria, and Anna Gibbs (2013). “At the Time of Writing: Digital Media, Gesture and Handwriting.” Electronic Book Review. August. http://www.electronicbookreview.com/thread/electropoetics/gesture
ANGEL, Maria, and Anna Gibbs (2011). “Geospatial Aesthetics: Time, Space, Agency and Movement in Electronic Writing.” Sprache und Literatur 108.42: 13-21.
ANGEL, Maria, and Anna Gibbs (2010). “Memory and Motion: The Body in Electronic Writing.” Beyond the Screen: Transformation of Literary Structures, Interfaces, Genres. Eds. Jörgen Schäfer and Peter Gendolla. Bielefeld: Transcript. 123-135.
ANGEL, Maria, and Anna Gibbs (2009). “On Moving and Being Moved: Writing and Corporeality in New Media Art.” Literature and Sensation. Eds. Anthony Uhlmann, Helen Groth, Stephen McLaren. Newcastle upon Tyne: Cambridge Scholars Publishing. 162-172.
BENVENISTE, Emile (1971). Problems in General Linguistics. Trans. Mary Elizabeth Meek. Coral Gables, FL: University of Miami Press.
CAMPBELL, Barbara (2005-2008). 1001 Nights Cast, archived at http://1001.net.au/
DAY, Elizabeth (2015-2017). MycoLogic. 28 February 2018. https://mycologicblog.wordpress.com/exhibition/
DELEUZE, Gilles, and Felix Guattari (1988). A Thousand Plateaus. Trans. Brian Massumi, London: The Athlone Press.
DENHAM, Ben (2009). Gestural Sense: Art, Neuroscience and Linguistic Embodiment. Phd Diss. Sydney: University of Western Sydney.
DRUCKER, Johanna (2012). “Beyond Conceptualisms: Poetics after Critique and the End of the Individual Voice.” Poetry Project Newsletter. April/May. 6-9.
FLEMING, Nic (2014). “Plants talk to each other using an internet of fungus.” http://www.bbc.com/earth/story/20141111-plants-have-a-hidden-internet
FLUSSER, Vilém (2011). Does Writing Have a Future? Trans. Nancy Ann Roth. Minneapolis: University of Minnesota Press.
FROW, John (1997). “Toute la mémoire du monde.” Time and Commodity Culture: Essays in Cultural Theory and Postmodernity. Oxford: Clarendon Press. 218-246.
GROSZ, Elizabeth (2004). The Nick of Time: Politics, Evolution and the Untimely. Crows Nest NSW: Allen and Unwin.
GUERTIN, Carolyn (2007). “Wanderlust: The Kinesthetic Browser in Cyberfeminist Space”. Extensions: Online Journal of Embodiment and Technology. 3. n.p. 14 November 2017. https://www.researchgate.net/profile/Carolyn_Guertin/publication/271705091_Wanderlust_The_Kinesthetic_Browser_in_Cyberfeminist_Space/links/54cfe4d90cf298d65665c343.pdf
GUERTIN, Carolyn (2000). Incarnation: Heart of the Maze. 12 November 2017. http://www.studiocleo.com/cauldron/volume3/confluence/carolyn_guertin/
JACKSON, Shelley (1995). Patchwork Girl. Eastgate Systems.
IRIGARAY, Luce (1985). This Sex Which Is Not One. Trans. Catherine Porter with Carolyn Burke. Ithaca, N.Y.: Cornell University Press.
MASUMI, Brian (2002). Parables for the Virtual: Movement, Affect, Sensation. Durham, NC: Duke University Press.
ONG, Walter (1982). Orality and Literacy: The Technologizing of the Word. London: Methuen.
PLANT, Sadie (1995). “The Future Looms: Weaving Women and Cybernetics.” Body & Society 1(3-4): 45-64.
PLANT, Sadie (1997). Zeroes and Ones: Digital Women + The New Technoculture. London: Fourth Estate.
PORTELA, Manuel (2013). Scripting Reading Motions: The Codex and the Computer as Self-Reflexive Machines. Cambridge, MA: The MIT Press.
ROTMAN, Brian (2002). “The Alphabetic Body.” Parallax 8.1: 92-104.
Star Trek Discovery (2017). “Context is for Kings.” Season 1, Episode 3. CBS 1st October 2017. Netflix 3 December 2017. https://www.netflix.com/watch/80194753?trackId=200257859
Star Trek Discovery (2010). “Here”. Save Us. Curated by Karen Gaskill. Barnaby Festival, Macclesfield, UK. 12 November 2017. http://www.theportable.tv/here/index.html
SOUTHERN, Jen (2012). “Comobility: How Proximity and Distance Travel Together in Locative Media.” Canadian Journal of Communication 37.1: 75-91.
WERTHEIM, Christine, and Margaret Wertheim (2005-continuing). The Crochet Coral Reef Project. 28 February 2018. http://crochetcoralreef.org/about/index.php
WERTHEIM, Christine, and Margaret Wertheim (2015). The Crochet Coral Reef Project. Los Angeles, Institute for Figuring.
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Publicado
2018-08-10
Como Citar
Angel, Maria, e Anna Gibbs. 2018. «Digitalizando O Fio De Ariadne: Feminismo, Excriptação E O Desdobrar Da Memória Em Espaços Digitais». Matlit: Materialidades Da Literatura 6 (2):53-64. https://doi.org/10.14195/2182-8830_6-2_4.
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