Digitising Ariadne’s Thread: Feminism, Exscryption, and the Unfolding of Memory in Digital Spaces
DOI:
https://doi.org/10.14195/2182-8830_6-2_4Palabras clave:
feminism, exscryption, network culture, digital culture, memory, movementResumen
Working against the instantaneity of the hyperlink, new forms of feminist praxis work with movement and the unfolding of new networked and digital spaces which remake histories of women’s work. In this paper we introduce the concept of feminist exscryption to characterise the kind of performativity which refuses the evaporation of sexual difference and which draws on the lived materiality of bodies and their insertion back into the network.
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ANGEL, Maria, and Anna Gibbs (2013). “At the Time of Writing: Digital Media, Gesture and Handwriting.” Electronic Book Review. August. http://www.electronicbookreview.com/thread/electropoetics/gesture
ANGEL, Maria, and Anna Gibbs (2011). “Geospatial Aesthetics: Time, Space, Agency and Movement in Electronic Writing.” Sprache und Literatur 108.42: 13-21.
ANGEL, Maria, and Anna Gibbs (2010). “Memory and Motion: The Body in Electronic Writing.” Beyond the Screen: Transformation of Literary Structures, Interfaces, Genres. Eds. Jörgen Schäfer and Peter Gendolla. Bielefeld: Transcript. 123-135.
ANGEL, Maria, and Anna Gibbs (2009). “On Moving and Being Moved: Writing and Corporeality in New Media Art.” Literature and Sensation. Eds. Anthony Uhlmann, Helen Groth, Stephen McLaren. Newcastle upon Tyne: Cambridge Scholars Publishing. 162-172.
BENVENISTE, Emile (1971). Problems in General Linguistics. Trans. Mary Elizabeth Meek. Coral Gables, FL: University of Miami Press.
CAMPBELL, Barbara (2005-2008). 1001 Nights Cast, archived at http://1001.net.au/
DAY, Elizabeth (2015-2017). MycoLogic. 28 February 2018. https://mycologicblog.wordpress.com/exhibition/
DELEUZE, Gilles, and Felix Guattari (1988). A Thousand Plateaus. Trans. Brian Massumi, London: The Athlone Press.
DENHAM, Ben (2009). Gestural Sense: Art, Neuroscience and Linguistic Embodiment. Phd Diss. Sydney: University of Western Sydney.
DRUCKER, Johanna (2012). “Beyond Conceptualisms: Poetics after Critique and the End of the Individual Voice.” Poetry Project Newsletter. April/May. 6-9.
FLEMING, Nic (2014). “Plants talk to each other using an internet of fungus.” http://www.bbc.com/earth/story/20141111-plants-have-a-hidden-internet
FLUSSER, Vilém (2011). Does Writing Have a Future? Trans. Nancy Ann Roth. Minneapolis: University of Minnesota Press.
FROW, John (1997). “Toute la mémoire du monde.” Time and Commodity Culture: Essays in Cultural Theory and Postmodernity. Oxford: Clarendon Press. 218-246.
GROSZ, Elizabeth (2004). The Nick of Time: Politics, Evolution and the Untimely. Crows Nest NSW: Allen and Unwin.
GUERTIN, Carolyn (2007). “Wanderlust: The Kinesthetic Browser in Cyberfeminist Space”. Extensions: Online Journal of Embodiment and Technology. 3. n.p. 14 November 2017. https://www.researchgate.net/profile/Carolyn_Guertin/publication/271705091_Wanderlust_The_Kinesthetic_Browser_in_Cyberfeminist_Space/links/54cfe4d90cf298d65665c343.pdf
GUERTIN, Carolyn (2000). Incarnation: Heart of the Maze. 12 November 2017. http://www.studiocleo.com/cauldron/volume3/confluence/carolyn_guertin/
JACKSON, Shelley (1995). Patchwork Girl. Eastgate Systems.
IRIGARAY, Luce (1985). This Sex Which Is Not One. Trans. Catherine Porter with Carolyn Burke. Ithaca, N.Y.: Cornell University Press.
MASUMI, Brian (2002). Parables for the Virtual: Movement, Affect, Sensation. Durham, NC: Duke University Press.
ONG, Walter (1982). Orality and Literacy: The Technologizing of the Word. London: Methuen.
PLANT, Sadie (1995). “The Future Looms: Weaving Women and Cybernetics.” Body & Society 1(3-4): 45-64.
PLANT, Sadie (1997). Zeroes and Ones: Digital Women + The New Technoculture. London: Fourth Estate.
PORTELA, Manuel (2013). Scripting Reading Motions: The Codex and the Computer as Self-Reflexive Machines. Cambridge, MA: The MIT Press.
ROTMAN, Brian (2002). “The Alphabetic Body.” Parallax 8.1: 92-104.
Star Trek Discovery (2017). “Context is for Kings.” Season 1, Episode 3. CBS 1st October 2017. Netflix 3 December 2017. https://www.netflix.com/watch/80194753?trackId=200257859
Star Trek Discovery (2010). “Here”. Save Us. Curated by Karen Gaskill. Barnaby Festival, Macclesfield, UK. 12 November 2017. http://www.theportable.tv/here/index.html
SOUTHERN, Jen (2012). “Comobility: How Proximity and Distance Travel Together in Locative Media.” Canadian Journal of Communication 37.1: 75-91.
WERTHEIM, Christine, and Margaret Wertheim (2005-continuing). The Crochet Coral Reef Project. 28 February 2018. http://crochetcoralreef.org/about/index.php
WERTHEIM, Christine, and Margaret Wertheim (2015). The Crochet Coral Reef Project. Los Angeles, Institute for Figuring.
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Publicado
2018-08-10
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Angel, Maria, y Anna Gibbs. 2018. «Digitising Ariadne’s Thread: Feminism, Exscryption, and the Unfolding of Memory in Digital Spaces». MATLIT: Materialidades De La Literatura 6 (2):53-64. https://doi.org/10.14195/2182-8830_6-2_4.
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