Post-Digital Literary Studies

  • Florian Cramer Rotterdam University of Applied Sciences
Palavras-chave: estética da informação, poética computacional, pós-digital, escrita experimental, novos média.

Resumo

As Humanidades Digitais e os Estudos Literários Digitais enfrentam os mesmos desafios que a ‘media art’ contemporânea: qual o seu futuro quando os seus meios deixarem de ser “novos” e as limitações do processamento da arte enquanto informação se tornarem mais clara e amplamente compreendidos? Este artigo revisita a estética da informação e a poética computacional desde os anos 60 e 70 do século XX, reconhecendo-os como precursores das Humanidades Digitais de hoje, com muitos dos mesmos problemas, sucessos e fracassos, e com seus próprios ciclos de altos e baixos. Por outro lado, as tendências “pós-digital” e “pós-Internet” na música, no design gráfico e nas artes visuais podem antecipar futuros possíveis das Humanidades e dos Estudos Literários Digitais quando se desvanecer a euforia.

DOI: http://dx.doi.org/10.14195/2182-8830_4-1_1

 

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Biografia Autor

Florian Cramer, Rotterdam University of Applied Sciences
Florian Cramer is a reader at the Creating 010 research center of Rotterdam University of Applied Sciences where he is affiliated to Willem de Kooning Academy and Piet Zwart Institute. He lectures and publishes on topics at the fringes of the arts, information technology and politics, with a focus on contemporary practices outside the dichotomies of old versus new media and fine art versus applied art. He also works for WORM, a Rotterdam-based venue and production house for DIY avant-garde culture where he helps in the organization of zine fests, Crypto Parties, an artist-run 8/16mm film lab, and (under the lead of Rasheedah Phillips) an Afrofuturist festival. Most recent publications: Anti-Media (NAi010, 2013), What Is Post-Digital? (http://www.aprja.net/?p=1318, 2014).

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Publicado
2016-02-28
Secção
Secção Temática | Thematic Section