'Just Not the Future': Electronic Literature After the Fall
The article examines the position of electronic literature, as a disruption of traditional literary practice, in the context of the dominance of social media, and particularly their potential for social harm.
electronic literature, social media, e-poetry
- Abstract viewed = 216 times
- PDF viewed = 106 times
- HTML viewed = 88 times
BALDWIN, Sandy (2015). The Internet Unconscious: On the Subject of Electronic Literature. New York: Bloomsbury Academic.
BENJAMIN, Walter (2006). “The Storyteller: Reflections on the Works of Nikolai Leskov.” Ed. Dorothy J. Hale, The Novel: An Anthology of Criticism and Theory 1900-2000. New York: Blackwell Publishing. 361-378.
GINSBERG, Allen (1956). Howl and Other Poems. San Francisco: City Lights Publishers.
GRASSEGGER, Hannes and Mikael Krogerus (2017). “The Data That Turned The World Upside Down.” Motherboard, January 28. 10 June 2018. https://motherboard.vice.com/en_us/article/mg9vvn/how-our-likes-helped-trump-win.
GRIGAR, Dene, and Stuart Moulthrop (2015). Pathfinders. Nouspace Press. 10 June 2018. http://dtc-wsuv.org/wp/pathfinders/authors-works/judy-malloy-uncle-roger-the-blue-notebook/.
HAYLES, N. Katherine (2008). Electronic Literature: New Horizons for the Literary. Notre Dame, Indiana: University of Notre Dame Press.
KRUGMAN, Paul (2018). “Return of the Blood Libel.” New York Times, June 21, 2018. A25.
KUHN, Donna (2016). “THE LAST PARADE (for spencer). Digital Aardvarks, December 10. 10 June 2018. http://digitalaardvarks.blogspot.com/2016/12/the-last-parade-for-spencer-digital-art.html.
LIU, Alan (2004). The Laws of Cool: Knowledge Work and the Culture of Information. Chicago, Illinois: U. Chicago Press.
LOEWEN, James (1995). Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong.New York: The New Press.
MARINO, Mark C., and Rob Wittig (2012). “Netprov: Elements of an Emerging Form.” Dichtung Digital, 42. http://www.dichtung-digital.de/en/journal/aktuelle-nummer/?postID=577.
MOZUR, Paul, and Mark Scott (2016). “Fake News in U.S. Election? Elsewhere, That’s Nothing New.” New York Times, November 17, 2016. A1. 11 July 2018.
PHILLIPS, Whitney (2015). This Is Why We Can’t Have Nice Things: Mapping the Relationship Between Online Trolling and Mainstream Culture. Cambridge, Massachusetts: MIT Press.
PROHIAS, Antonio (2009). Spy vs. Spy: Danger! Intrigue! Stupidity! New York: Watson-Guptill.
RALEY, Rita (2009). Tactical Media. Minneapolis, Minnesota: U. Minnesota Press.
SILVERMAN, Craig (2016). “This Analysis Shows How Fake Election News Stories Outperformed Real News On Facebook.” Buzzfeed News, November 16, 2016. 10 June 2018. http://www.buzzfeed.com/craigsilverman/viral-fake-election-news-outperformed-real-news-on-facebook.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
MATLIT embraces full open access to all issues. Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 International (CC BY-NC-ND 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. The article can be quoted but not changed and presented differently.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
- A CC licensing information in a machine-readable format is embedded in all articles published by MATLIT.
- Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- NonCommercial — You may not use the material for commercial purposes.
- NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.
- No additional restrictions — You may not apply legal terms or technological measuresthat legally restrict others from doing anything the license permits.
- You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
- No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.