Estupidez artificial
DOI:
https://doi.org/10.14195/2182-8830_10-1_3Keywords:
artificial intelligence, digital art, digital literature, generative literature, artificial stupidity,.Abstract
In this essay I present a series of my own projects developed in recent years based on the use of various detection programs and the generation of text and images. These works are contextualized within the framework of the relationships between contemporary art and Artificial Intelligence, from a critical perspective that seeks to demonstrate its limits and errors, that is, its “artificial stupidity”. From the combination between this artistic practice and the reflections that were emerging, new questions emerge to continue investigating in
this field.
Downloads
References
AALHO, Jukka & ChatGPT (2023). Aum Golly2. Illustrated poems on humanity by artificial intelligence. Kertojan ääni.
_____ & GPT-3 (2021). Aum Golly. Poems on humanity by an artificial intelligence. Kertojan ääni.
ASTOBIZA, Aníbal M. (2022). “Arte y algoritmos”. Aisthesis, nº 72: 282-97.
AUDRY, Sofian (2021). Art in the Age of Machine Learning. Cambridge: The MIT Press.
BAJOHR, Hannes (2023b). “Writing at a Distance: Notes on Authorship and Artificial Intelligence”. Aceptado para publicación en German Studies Review.
_____ (2023a). “Dumb Meaning: Machine Learning and Artificial Semantics”. The Interdisciplinary Journal of Image Sciences vol. 37, nº 1, 2023: 58-70.
BARALE, Alice (2022). “Latent Spaces: What AI Art Can Tell Us About Aesthetic Experience”.
Dradek, vol. VIII, nº 1: 111-38.
_____ (2021). “Who inspires who? Aesthetics in front of AI art”. Philinq, vol. IX, nº 2: 199-224.
BENDER, Emily M., Timnit Gebru, Angelina McMillan-Major y Shmargaret Schmitchell
(2021). “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?”.
FAccT ‘21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency: 610–623. https://dl.acm.org/doi/10.1145/3442188.3445922
CETINIC, Eva y James She (2022). “Understanding and Creating Art with AI: Review and
Outlook”. ACM Trans. Multimedia Comput. Commun. Appl., vol. 18, nº. 2, Article 66: 1-22.
CUSSEN, Felipe (2023). The Joy of Rain. Poems by Felipe Cussen. Santiago: BOA Editions.
_____ (2022). Art. Craiyon.
_____ (2021b). Self Portrait. Vanity Press.
_____. (2021a). “Potencialidades negativas”. Poesia Programa Performance. Projetos, processos e
práticas em meios digitais. Ed. Bruno Ministro y Sandra Guerreiro Dias. Porto: Fundação
Fernando Pessoa: 85-91.
— (2020). Plagiarism. Blurb. https://www.blurb.com/b/9941723-plagiarism
_____ (2019). PEOPLE. Buffalo: Hysterically Real. https://www.hystericallyreal.com/
post/185007374560/people-by-felipe-cussen-pdf
_____ (2018b). This is me. Lulu.com. https://www.lulu.com/shop/felipe-cussen/this-is-me/
paperback/product-1g2ed87w.html
_____ (2018a). Regional Restrictions. https://www.youtube.com/watch?v=GJl9UpwOTVQ
_____ (2016b). “Correcciones: práctica artística como investigación como quien no quiere la
cosa”. Panambí nº 3, noviembre 2016: 189-206.
_____ (2016a). Correcciones. York: Information as Material. http://www.informationasmaterial.org/portfolio/correcciones/
_____ (2015). “God’s Signs”. Western Humanities Review vol. 69, nº 1, summer 2015: 110-19.
DOMINGOS, Pedro (2015). “A Q & A with Pedro Domingos: Author of ‘The Master Algorithm’”. Entr. Jennifer Langston. UW News. https://www.washington.edu/news/2015/09/17/a-q-a-with-pedro-domingos-author-of-the-master-algorithm/
ELSON, David (2014). “Artificial Intelligence”. The Johns Hopkins Guide to Digital Media. Ed. Marie-Laurie Ryan, Lori Emerson y Benjamin J. Robertson. Baltimore: Johns Hopkins University Press.
FALK, Michael (2021). “Artificial stupidity”. Interdisciplinary Science Reviews, vol. 46, nº 1-2: 36-52.
GAINZA, Carolina (2021). “Nuevos escenarios literarios. Hacia una cartografía de la literatura digital latinoamericana”. World Editors. Dynamics of Global Publishing and the Latin American Case between the Archive and the Digital Age. Ed. Gustavo Guerrero, Benjamin Loy and Gesine Müller. Berlin: De Gruyter: 331-49.
GPT-3 (2023). “¿Para qué poetas?”. https://chat.openai.com.
LÄUFER, Milton (2022). La literatura electrónica latinoamericana (1965-2013) en forma sonata. Tesis doctoral, New York University.
MANOVICH, Lev (2023). “Towards ‘General Artistic Intelligence’?”. Art Basel. https://www.artbasel.com/stories/lev-manovich
McCORMACK, Jon, Toby Gifford y Patrick Hutchings (2021). “Autonomy, Authenticity, Authorship and Intention in Computer Generated Art”. Computational Intelligence in Music, Sound, Art and Design. Eds. Anikó Ekárt, Antonios Liapis y María Luz Castro Pena. Cham: Springer: 35-50.
MORA, Vicente Luis (2023). “Literatura e inteligencia artificial. Cuánto vale nuestro lenguaje entrenado”. Diario de lecturas. http://vicenteluismora.blogspot.com/2023/04/literatura-e-inteligencia-artificial.html
O’CONNELL, Micheál (2016). Art as ‘Artificial Stupidity. Tesis doctoral, University of Sussex.
OBRIST, Hans Ulrich (2018). “Making the invisible visible: Art meets AI”. Kulturtechniken 4.0. https://www.goethe.de/prj/k40/en/kun/ooo.html
PIRINGER, Jörg (2022). günstige intelligenz. Klagenfurt: Ritter Verlag.
_____. data poetry (2020). Denver: Counterpath.
SHANE, Janelle (2023). AI Weirdness. https://www.aiweirdness.com
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Felipe Cussen

This work is licensed under a Creative Commons Attribution 4.0 International License.
MATLIT embraces full open access to all issues. Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution- 4.0 International (CC BY 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
- A CC licensing information in a machine-readable format is embedded in all articles published by MATLIT.
- Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
- You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
- No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.