What the Body Remembers

VR as Site of Preservation in Memory Eternal | Вічная Пам’ять

Authors

  • Jolene Armstrong Athabasca University
  • Monique Tschofen Toronto Metropolitan University https://orcid.org/0000-0001-9594-8424
  • Izabella Pruska-Oldenhof Toronto Metropolitan University
  • Kari Maaren Toronto Metropolitan University https://orcid.org/0009-0001-4238-1847
  • Angela Joose Canadian Research Knowledge Network (CRKN)

DOI:

https://doi.org/10.14195/2182-8830_11-1_5

Keywords:

memory, war, pandemics, collaboration, care ethics

Abstract

Our paper discusses a VR piece designed for Quest 2, Memory Eternal: Book of Mourning, that was exhibited in the ELO Media Arts Festival in 2023. Our work, named after the Ukrainian Orthodox prayer for the dead, immerses viewers in a space of remembrance. The piece reflects on grief at two scales — personal and collective — touching on topics like war, pandemics, and family. The paper and the work submitted for exhibition are aligned with the ELO 2023 themes of the role of literature in social change asking, in the wake of overlapping global crises, what do we want to remember and how? We make a tour to the project with its dream-like landscape of medieval ruins populated with ten distinct electronic literature pieces that meditate on mourning, grief, and awakening tonew futures. We will discuss the collaborative methods we use to create this work that are grounded in care ethics and explain how they become part of the broader meaning of the work. We then draw from memory studies to elaborate on how the form and themes of Memory Eternal serve as a response to crisis, a salvo for loss, and a promise to keep memory alive.

Downloads

Download data is not yet available.

References

ABBEELE, Georges Van Den (2022). “Mourning Alone Together.” Oxford Literary Review 44, no. 1: 70–82. https://doi.org/10.3366/olr.2022.0377.

BARLASSINA, Luca, and Albert Newen (2014). “The Role of Bodily Perception in Emotion: In Defense of an Impure Somatic Theory.” Philosophy and Phenomenological Research 89, no. 3: 637–78. https://doi.org/10.1111/phpr.12041.

BRADLEY, Rizvana (2015). “Other Sensualities. Introduction to The Haptic: Textures of Performance, a Special Issue of Women & Performance.” Women & Performance, 28 Jan. 2015 https://www.womenandperformance.org/ampersand/rizvana-bradley-1 Accessed 27 Oct. 2023.

BRAKHAGE, Stan (1963). Metaphors on Vision. New York: Film Culture Inc. [n.p.]

BROWN, adrienne maree (2017). Emergent Strategy: Shaping Change, Changing Worlds. Chico: AK Press.

CARDIFF, Janet (2001). Forty Part Motet (A Reworking of “Spem in Alium” by Thomas Tallis 1573). Audio Installation. 40 loud speakers mounted on stands, placed in an oval, amplifiers, playback computer, 14 minute loop. Collection of the National Gallery of Canada, Ottawa.

CHRISTOFOROU, Maria, Danielle Thibault, and Tereza Stehlikova (2023). Corona Haikus. Web. https://coronahaikus.com/.

CUNNINGHAM ROGERS, Al (2022). Presentation.

DECAMERON COLLECTIVE (2022). The Decameron 2.0. Web.

DECAMERON COLLECTIVE (2023). Memory Eternal: Вічная Пам’ять. VR Quest 2.

ESCAJA, Tina. n.d. “Mar y virus VR.” https://proyecto.w3.uvm.edu/maryvirus/. Accessed 30 Sept. 2023.

GINOT, Isabelle (2010). “From Shusterman’s Somaesthetics to a Radical Epistemology of Somatics.” Dance Research Journal 42, no.1: 12–29. https://muse.jhu.edu/pub/34/article/380620.

HARNEY, Stefano, and Fred Moten (2013). The Undercommons: Fugitive Planning & Black Study. Wivenhoe New York Port Watson: Minor Compositions.

HARAWAY, Donna Jeanne (2016). Staying with the Trouble: Making Kin in the Chthulucene. Durham: Duke University Press.

HEIDEGGER, Martin (1977). “Letter on Humanism.” In Basic Writings, edited by David Farrell Krell,189-242. New York: Harper & Row.

JENIK, Adrienne (2022). The Artist’s Grief Deck. New York: Princeton Architectural Press.

LANIER, Jaron (2017). Dawn of the New Everything: Encounters with Reality and Virtual Reality. New York: Henry Holt and Company.

LIU, Lulu, and Jin Sol Kim (2021). “In Conversation with the Decameron 2.0.” ebr Electronic Book Review. 09, Dec., 2021. https://electronicbookreview.com/essay/decameron-2-0/. Accessed 27 Oct. 2023.

MERLEAU-PONTY, Maurice (2014). Phenomenology of Perception. Abingdon, Oxon: Routledge.

NORA, Pierre (1997). Les lieux de mémoire 1. Paris: Gallimard.

O’FLYNN, Siobhan, Jolene Armsrong, Monique Tschofen, Lai-Tze Fan, Kari Maaren, Caitlin Fisher, Angela Joosse, Izabella Pruska-Oldenhof, and Kelly Egan. (2023) “Memory Eternal: Speculative Memory-Alizations, and Possible Futures.” Submitted manuscript.

REICH, Steve (1968). It’s Gonna Rain. Track 2 on Live/Electric Music. Musical work/tape composition, 17 minutes. Columbia Masterworks. Vinyl.

RETTBERG, Scott, Søren Pold, Ashleigh Steele, and Anna Nacher, dirs. (2021). COVID E-Lit: Digital Art During the Pandemic. https://vimeo.com/544980228.

SALVAGGIO, Eryk (2023). “Cinema Without Cameras.” Substack newsletter. Cybernetic Forests (blog). April 9, 2023. https://cyberneticforests.substack.com/p/cinema-without-cameras. Accessed 30 Oct. 2023.

SABIESCU, Amalia G. (2020). “Living Archives and the Social Transmission of Memory.” Curator: The Museum Journal 63, no.4: 497–510. https://doi.org/10.1111/cura.12384.

SZILAK, Illya (2022). “Revisiting My Essay Storytelling at the End of the World: Cinema and Narrativity in VR or Why Matters of Embodiment Matter in Digital Media.” Illya Szilak (blog). 16 June 2022. https://illyaszilak.com/2022/06/16/revisiting-my-essay-storytelling-at-the-end-of-the-world-cinema-and-narrativity-in-vr-or-why-matters-of-embodiment-matter-in-digital-media/. Accessed 27 Oct. 2023.

THOMAS, Lisa May, and David R. Glowacki (2018). “Seeing and Feeling in VR: Bodily Perception in the Gaps between Layered Realities.” International Journal of Performance Arts and Digital Media 14, no.2: 145–168.

WORDSWORTH, William (1800). “Preface.” Lyrical Ballads, With Other Poems. Volume 1. Project Gutenberg. https://www.gutenberg.org/cache/epub/8905/pg8905.html

YOUNG, Gareth W., Néill O’Dwyer, Mauricio Flores Vargas, Rachel Mc Donnell, and Aljosa Smolic (2023). “Feel the Music!—Audience Experiences of Audio–Tactile Feedback in a Novel Virtual Reality Volumetric Music Video.” Arts 12, no.4: 156. https://doi.org/10.3390/arts12040156.

ZARECKI, Jonathan P. (2008). “Review of Cicero’s Philosophy of History by Matthew Fox.” Bryn Mawr Classical Review. https://bmcr.brynmawr.edu/2008/2008.06.32/.

Downloads

Published

2025-04-28

How to Cite

Armstrong, Jolene, Monique Tschofen, Izabella Pruska-Oldenhof, Kari Maaren, and Angela Joose. 2025. “What the Body Remembers: VR As Site of Preservation in Memory Eternal | Вічная Пам’ять”. MATLIT: Materialities of Literature 11 (1):59-83. https://doi.org/10.14195/2182-8830_11-1_5.