Ontology for New Media Hybridity

Autores/as

DOI:

https://doi.org/10.14195/2182-8830_5-1_21

Palabras clave:

Materialities of Literature, Digital Humanities, New Media

Resumen

Review of Jihoon Kim, Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age, New York: Bloomsbury, 2016, 404 pp., ISBN 978-1-6289-2293-6.

In Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age, Jihoon Kim tries to describe the ontology of contemporary artworks produced within the universe of New Media Art, particularly the ontology of those works he understands as hybrid moving images, images whose typical materialities are denatured, deconstructed, and resignified when remediated through digital platforms, technical supports or artistic practices initially strange to them. Revising theories by important art critics of the last decades, such as Clement Greenberg and Rosalind Krauss, and combining them with theories by contemporary art critics, such as Lev Manovich and Peter Weibel, Kim provides us new tools for understanding why this New Media hybridity is feasible as visual fruition, as well as why it is progressively capable of grasping new, historically-oriented, image possibilities.

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Biografía del autor/a

Fábio Waki, University of Coimbra | CLP

Bacharel em Estudos Literários (Unicamp); Mestre em Estudos Clássicos (Unicamp); Aluno de doutoramento em Materialidades da Literatura (Universidade de Coimbra).

Citas

Jihoon Kim (2016). Between film, video, and the digital: hybrid moving images in the post-media age, New York: Bloomsbury.

Krauss, Rosalind (1999). A voyage on the North Sea: art in the age of post-medium condition, New York: Thames & Hudson.

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Publicado

2017-12-27

Cómo citar

Waki, Fábio. 2017. «Ontology for New Media Hybridity». MATLIT: Materialidades De La Literatura 5 (1):97-101. https://doi.org/10.14195/2182-8830_5-1_21.

Número

Vol. 5 Núm. 1 (2017): Vox Media: El Sonido en la Literatura

Sección

Recensões | Reviews

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