Children's Electronic Literature Criticism: Exploring Electronic Picture Books
DOI:
https://doi.org/10.14195/2182-8830_6-2_8Palabras clave:
children's electronic literature, electronic picture books, children's electronic literature criticismResumen
This paper researches the position and the genres of children’s electronic literature within the larger context of electronic literature, focusing on its most representative form — electronic picture books. It explores their rich narrative possibilities and regards them as an autochthonous children’s electronic literary genre, a gateway that leads a young reader into the world of electronic literature.
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AARSETH, Espen (1997). Cybertext: Perspectives on Ergodic Literature. Baltimore: Johns Hopkins University Press.
BOLTER, Jay David (1991). Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale, N.J.: Lawrence Erlbaum Associates.
BOLTER, Jay David, and Richard Grusin (2000). Remediation: Understanding New Media. Cambridge, MA: The MIT Press.
ESKELINEN, Markku (2004). “Six Problems in Search of a Solution: The challenge of cybertext theory and ludology to literary theory.” Dichtung Digital. URL: <http://www.dichtung-digital.org/2004/3/Eskelinen/index.htm> 15 June 2017.
GABELICA, Marina (2014). “Digitalna kraljevna – ostavština Walta Disneyja.” Detinjstvo 4: 48-55.
GENETTE, Gérard (1997). Palimpsests: Literature in the Second Degree. Lincoln, NE: University of Nebraska Press.
GREGERSEN, Andreas. (2011). “Genre, Technology and Embodied Interaction: The evolution of digital game genres and motion gaming.” MedieKultur 51: 94-109.
HAYLES, N. Katherine (2007). Electronic Literature: What is it? URL: <http://eliterature.org/pad/elp.html> 15 June 2017.
JENKINS, Henry (2004). “Game Design as Narrative Architecture.” Ed. Noah Wardrip-Fruin and Pat Harri-gan. First Person: New Media as Story, Performance, and Game. Cambridge, MA: The MIT Press. 118-130.
KEEP, Christopher, Tim McLaughlin, and Parmar Robin (1993-2001). The Electronic Labyrinth. URL: <http://jefferson.village.virginia.edu/elab/elab.html> 15 June 2017.
LANDOW, George (1992). Hypertext: The Convergence of Contemporary Literary Theory and Technology. Baltimore: Johns Hopkins University Press.
LISTER, Martin, Jon Dovey, Seth Giddings, Iain Grant, Kieran Kelly (2009). New Media: A Critical Introduction. London: Routledge.
MONTFORT, Nick (2003). Twisty Little Passages. Cambridge, MA: The MIT Press.
NARANČIĆ KOVAČ, Smiljana (2011). Jedna priča i dva pripovjedača: pripovjedne perspektive u dvojnome diskursu suvremene slikovnice. PhD diss. Faculty of Humanities and Social Sciences, University of Zagreb.
NOSY CROW (2011). Cinderella. Electronic picture book for iPad, iPhone, iPod touch.
NOSY CROW (2016). Little Red Riding Hood. Electronic picture book for iPad, iPhone, iPod touch.
ONE HUNDRED ROBOTS (2011). Cinderella – A Princess Story. Electronic picture book for iPad, iPhone, iPod touch.
PEOVIĆ VUKOVIĆ, Katarina (2013). Književnost i remedijacija. Mediji kao kulturalna dominanta kasnog kapitalizma. URL: https://www.academia.edu/3670103/Knjizevnost_i_remedijacija._Mediji_kao_kulturalna_dominanta_kasnog_kapitalizma 15 June 2017.
PEOVIĆ VUKOVIĆ, Katarina (2004). Književnost i tehnologija novih medija. Mag. Diss., Faculty of Humanities and Social Sciences, University of Zagreb.
TEŽAK, Dubravka (2002). “Tema rođenja u dječjoj književnosti.” Ed. Ranka Javor. Tabu teme u književnosti za djecu i mladež. Zagreb: Knjižnice grada Zagreba. 23-30.
TEŽAK, Dubravka, and Marina Gabelica (2015). “Digitalna dječja književnost.” Ed. Stanislav Jurjevčić. Modern Approaches to Teaching Coming Generation. Ljubljana: EDUvision. 856-866.
VELIČKI, Vladimira (2005). Književna djela u multimedijskoj obradi i recepcija interaktivnog teksta: (na primjerima iz dječje književnosti). PhD diss., Faculty of Humanities and Social Sciences, University of Zagreb.
XIMAD (2010). Little Red Riding Hood. Electronic picture book for iPad, iPhone, iPod touch.
ZIPES, Jack (2002). The Brothers Grimm: From Enchanted Forests to the Modern World. New York: Palgrave Macmillan.
BOLTER, Jay David (1991). Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale, N.J.: Lawrence Erlbaum Associates.
BOLTER, Jay David, and Richard Grusin (2000). Remediation: Understanding New Media. Cambridge, MA: The MIT Press.
ESKELINEN, Markku (2004). “Six Problems in Search of a Solution: The challenge of cybertext theory and ludology to literary theory.” Dichtung Digital. URL: <http://www.dichtung-digital.org/2004/3/Eskelinen/index.htm> 15 June 2017.
GABELICA, Marina (2014). “Digitalna kraljevna – ostavština Walta Disneyja.” Detinjstvo 4: 48-55.
GENETTE, Gérard (1997). Palimpsests: Literature in the Second Degree. Lincoln, NE: University of Nebraska Press.
GREGERSEN, Andreas. (2011). “Genre, Technology and Embodied Interaction: The evolution of digital game genres and motion gaming.” MedieKultur 51: 94-109.
HAYLES, N. Katherine (2007). Electronic Literature: What is it? URL: <http://eliterature.org/pad/elp.html> 15 June 2017.
JENKINS, Henry (2004). “Game Design as Narrative Architecture.” Ed. Noah Wardrip-Fruin and Pat Harri-gan. First Person: New Media as Story, Performance, and Game. Cambridge, MA: The MIT Press. 118-130.
KEEP, Christopher, Tim McLaughlin, and Parmar Robin (1993-2001). The Electronic Labyrinth. URL: <http://jefferson.village.virginia.edu/elab/elab.html> 15 June 2017.
LANDOW, George (1992). Hypertext: The Convergence of Contemporary Literary Theory and Technology. Baltimore: Johns Hopkins University Press.
LISTER, Martin, Jon Dovey, Seth Giddings, Iain Grant, Kieran Kelly (2009). New Media: A Critical Introduction. London: Routledge.
MONTFORT, Nick (2003). Twisty Little Passages. Cambridge, MA: The MIT Press.
NARANČIĆ KOVAČ, Smiljana (2011). Jedna priča i dva pripovjedača: pripovjedne perspektive u dvojnome diskursu suvremene slikovnice. PhD diss. Faculty of Humanities and Social Sciences, University of Zagreb.
NOSY CROW (2011). Cinderella. Electronic picture book for iPad, iPhone, iPod touch.
NOSY CROW (2016). Little Red Riding Hood. Electronic picture book for iPad, iPhone, iPod touch.
ONE HUNDRED ROBOTS (2011). Cinderella – A Princess Story. Electronic picture book for iPad, iPhone, iPod touch.
PEOVIĆ VUKOVIĆ, Katarina (2013). Književnost i remedijacija. Mediji kao kulturalna dominanta kasnog kapitalizma. URL: https://www.academia.edu/3670103/Knjizevnost_i_remedijacija._Mediji_kao_kulturalna_dominanta_kasnog_kapitalizma 15 June 2017.
PEOVIĆ VUKOVIĆ, Katarina (2004). Književnost i tehnologija novih medija. Mag. Diss., Faculty of Humanities and Social Sciences, University of Zagreb.
TEŽAK, Dubravka (2002). “Tema rođenja u dječjoj književnosti.” Ed. Ranka Javor. Tabu teme u književnosti za djecu i mladež. Zagreb: Knjižnice grada Zagreba. 23-30.
TEŽAK, Dubravka, and Marina Gabelica (2015). “Digitalna dječja književnost.” Ed. Stanislav Jurjevčić. Modern Approaches to Teaching Coming Generation. Ljubljana: EDUvision. 856-866.
VELIČKI, Vladimira (2005). Književna djela u multimedijskoj obradi i recepcija interaktivnog teksta: (na primjerima iz dječje književnosti). PhD diss., Faculty of Humanities and Social Sciences, University of Zagreb.
XIMAD (2010). Little Red Riding Hood. Electronic picture book for iPad, iPhone, iPod touch.
ZIPES, Jack (2002). The Brothers Grimm: From Enchanted Forests to the Modern World. New York: Palgrave Macmillan.
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Publicado
2018-08-10
Cómo citar
Gabelica, Marina. 2018. «Children’s Electronic Literature Criticism: Exploring Electronic Picture Books». MATLIT: Materialidades De La Literatura 6 (2):99-113. https://doi.org/10.14195/2182-8830_6-2_8.
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Secção Temática | Thematic Section
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