NOTES OF FANTASTIC LITERATURE IN CATO’S ORIGINES
DOI:
https://doi.org/10.14195/2183-7260_62_3Keywords:
Cato, Origines, Tzvetan Todorov, fantastic, marvellous, uncanny, verisimilitudeAbstract
This study gives a brief presentation of Cato’s Origines; seeks, on the basis of Tzvetan Todorov, to distinguish from the fantastic the marvellous and the uncanny genre; considers the rural and ethnographic origin of the fantastic; reflects on the relationship between verisimilitude and fantastic; and analyses the way the ancient and modern reader interpret the Catonian passages of fantastic, marvellous, or uncanny nature.
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