I would prefer not to turn the page: Reading and Writing in the Unlimited Digital Space

Authors

DOI:

https://doi.org/10.14195/2182-8830_6-1_9

Keywords:

reading surfaces, graphical conventions, page, scroll, frame

Abstract

The limits of the page have been historically set by the constrictions of the materials on which the text is inscribed. In the digital age, those materials no longer impose a physical limit, and the limits are more bound to what are our established reading practices and conventions. We still need to access the text in finite portions — we cannot process the infinitude of text that the limitless digital space would allow. Hence, notions as window or frame appear to make this infinite space readable — not unlike the ancient practice of reading and writing on a scroll, which contained large texts, but could only be read portion by portion. Nowadays, we no longer simply turn a page and leave it behind; in our perception, it is more like a frame is constantly being repositioned. In order to question this transition and its implications, we will be looking at a paper and a digital edition of Bartleby, the Scrivener by Herman Melville.

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References

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McCLOUD, Scott (2009). “The Infinite Canvas.” 29 June 2017. http://scottmccloud.com/4-inventions/canvas/.

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MELVILLE, Herman (2004). Bartleby, the Scrivener: A Story of Wall-Street. [First published, New York: Putnam’s magazine, 1853]. 29 June 2017. https://www.gutenberg.org/ebooks/11231.

MELVILLE, Herman (2013). Bartleby. Fremdsprachentexte/Universal-Bibliothek Englisch. Stuttgart: Reclam.

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Published

2018-08-10

How to Cite

Sabino, Ana. 2018. “I Would Prefer Not to Turn the Page: Reading and Writing in the Unlimited Digital Space”. MATLIT: Materialities of Literature 6 (1):135-48. https://doi.org/10.14195/2182-8830_6-1_9.

Issue

Vol. 6 No. 1 (2018): Electronic Literature: Affiliations

Section

Secção Temática | Thematic Section

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