The musical work of art: a question for Heidegger
DOI:
https://doi.org/10.14195/0872-0851_55_1Keywords:
Hermeneutics, Esthetics, deconstruction, language, poetryAbstract
Heidegger’s thinking on the arts has considered poetry in the first place, and then the visual arts. Music goes almost unmentioned. From works and composers it is never stated that they reach historical relevance (at least in the foundational sense that the thinker gives the terms). At the same time, Heidegger’s thinking about the work of art could not fail to encompass music and influence later approaches, even if it just deconstructs established certainties. In this article, I try to expose the dual direction that characterizes the main lines of Heidegger’s thinking about music and some of its implications.
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