Anfipoemas e Contrapoemas, de Wlademir Dias-Pino e Regina Pouchain: Séries de Poesia Digital Situada no Brasil
DOI:
https://doi.org/10.14195/2182-8830_10-1_8Keywords:
Anfipoemas, Contrapoemas, Poesia visual serial, Wlademir Dias-Pino, Regina Pouchain, Literatura digital brasileiraAbstract
This article presents the visual poetry series Anfipoemas (amphipoems) and Contrapoemas (counterpoems), produced by Wlademir Dias-Pino and Regina Pouchain from 1995 to 2008, in order to understand them within Brazilian digital literature. We firstly describe the two series, in their verbal, visual and serial elements, as well as their connection to other works by both artists. Next, we discuss the amphipoems and counterpoems as digital literature, since they are permeated by digital technologies in terms of production (with the image editor
software Adobe Photoshop) and reception (either as artistic installations mediated by multimedia projectors, or in blogs that archive part of the poetic series). In this process, we also consider the importance of adopting a conception of digital literature situated in Brazil, a country on the periphery of technocapitalism, in order to better understand the amphiphoems’ and counterpoems’ contexts of production and reception.
Downloads
References
AARSETH, Espen (1997). Cybertext: Perspectives on Ergodic Literature. Baltimore: The John Hopkins University Press.
BERTGES, Lívia Ribeiro, e Vinícius Carvalho Pereira (2021). “Poesia visual: subsídios teórico--metodológicos para uma leitura da serialidade”. Texto Poético 17: 177-201.
DELEUZE, Gilles (2000). Diferença e repetição. Tr. Luiz Orlandi e Ronaldo Machado. Lisboa: Relógio D’Água Editora.
DIAS-PINO, Wlademir (1971). Processo: linguagem e comunicação. Petrópolis: Vozes.
DIAS-PINO, Wlademir (1982). A separação entre inscrever e escrever. Cuiabá: Edições do Meio.
DIAS-PINO, Wlademir (2010). Wlademir Dias-Pino. Rio de Janeiro: Aeroplano.
DIAS-PINO, Wlademir (2015). Wlademir Dias-Pino: poesia/poema. Brasília: Estereográfica.
DIAS-PINO, Wlademir (2022). “Entrevista transcrita por Mozart Carvalho; revisada por Regina Pouchain”. Plural: Revista Literária 19.9: 36-40.
DIAS-PINO, Wlademir (n.d.). Enciclopédia visual: Europa — Casa da visualidade — 256 — Pré-história: uma leitura projetada. Rio de Janeiro: Europa.
DIAS-PINO, Wlademir, e Regina Pouchain (2010). “Contrapoemas & Anfipoemas”. Enciclopédia visual: espaço dedicado à obra de Wlademir Dias-Pino. Ed. Rogério Camara. https://web.archive.org/web/20161016133407/http://enciclopediavisual.com/creditos.php. [11 março 2023].
FLORES, Leonardo, Claudia Kozak, e Rodolfo Mata (2020). Antología de Literatura Electrónica Latinoamericana y Caribeña — v.1. http://antologia.litelat.net. [05 março 2023].
GAINZA, Carolina Cortés (2020). “Nuevos escenarios literários: Hacia una cartografía de la literatura digital latino-americana”. World Editors: Dynamics of Global Publishing and the Latin American Case between the Archive and the Digital Age. Ed. Gustavo Guerrero, e Benjamin Loy, e Gesine Müller. Berlim: De Gruyter. 331-349.
HAYLES, Katherine (2009). “Literatura eletrônica: o que é isso?” Literatura eletrônica: novos horizontes para o literário. São Paulo: Global. 19-53.
LUDMER, Josefina (2010). Aqui América Latina: una especulación. Buenos Aires: Eterna Cadencia.
MAGNUSSON, Jonas, Cecilia Grönberg, e Tobi Maier (2014). OEI Magazine: Poema / Processo [Process Poem] 66. Estocolmo: OEI Editör.
NOVA, Vera Casa (2009). “Os infopoemas de Wlademir Dias-Pino”. Sibila. Revista de poesia e crítica literária. 06 dez. 2009. https://sibila.com.br/critica/os-infopoemas-de-wlademir-dias-pino/3281. [21 fevereiro 2023].
Oi Futuro (2008). Contrapoemas e anfipoemas. http://www.rioecultura.com.br/expo/expo_resultado2.asp?expo_cod=22. [05 março 2023].
PEREIRA, Vinícius Carvalho (2021). “Literatura e tecnologia: Wlademir Dias-Pino e o poema como máquina analógica”. Caligrama: Revista de Estudos Românicos 26. 2: 199-216. http://www.periodicos.letras.ufmg.br/index.php/caligrama/article/view/17395. [05 março
.
PEREIRA, Vinícius Carvalho, e Célia Maria Domingues da Rocha Reis (2015). “Sinuosidades e ranhaduras na poética de Wlademir Dias-Pino”. Literatura e Sociedade 20.20: 43-54.
POUCHAIN, Regina (2007). Zineblog Lambuja. http://wwwlambuja.blogspot.com/. [05 março
.
POUCHAIN, Regina (2009a). Anfipoemas: Regina Pouchain e Wlademir Dias-Pino. http://anfipoemas.blogspot.com/. [05 março 2023].
POUCHAIN, Regina (2009b). Contrapoemas: Regina Pouchain e Wlademir Dias-Pino. http://contrapoemas.blogspot.com/. [05 março 2023].
POUCHAIN, Regina (2018). “Entrevista. Entrevistador: Eduardo Mahon”. Por Eduardo Mahon. Pensar Cultura. Cuiabá, 16 dezembro 2018. https://pensarcultura.com.br/entrevista-regina-pouchain-por-eduardo-mahon/. [12 março 2023].
RAMOS, Isaac Newton Almeida (2011). Vanguardas poéticas em permanência: A revalidação de Wlademir Dias-Pino e Silva Freire. Tese de Doutorado em Estudos Comparados de Literaturas de Língua Portuguesa — Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo.
RAMOS, Isaac Newton Almeida (2018). “O livro de artista no Brasil e Wlademir Dias-Pino: o sequestro do Concretismo produzido em Mato Grosso”. Revista de Estudos Acadêmicos de Letras 11. 2: 281–290.
RETTBERG, Scott (2014). “Electronic Literature”. The Johns Hopkins Guide to Digital Media. Ed. Marie-Laure Ryan, e Lori Emerson, e Benjamim Robertson. Baltimore: Johns Hopkins University Press. 78-80.
ROCHA, Rejane Cristina (2021). Atlas da Literatura Digital Brasileira. São Carlos: UFSCAR. https://www.observatorioldigital.ufscar.br/#atlas. [15 março 2023].
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Vinícius Carvalho Pereira
This work is licensed under a Creative Commons Attribution 4.0 International License.
MATLIT embraces full open access to all issues. Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution- 4.0 International (CC BY 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
- A CC licensing information in a machine-readable format is embedded in all articles published by MATLIT.
- Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
- You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
- No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
