O Que Nos Ensinam os Novos Meios Sobre o Livro no Livro do Desassossego

Authors

  • Osvaldo Manuel Silvestre Center for Portuguese Literature, University of Coimbra

DOI:

https://doi.org/10.14195/2182-8830_2-1_4

Keywords:

Robert Musil, Fernando Pessoa, Book of Disquiet, Archive, New Media

Abstract

The article starts with a comparison between the cases of The Man Without Qualities and the Book of Disquiet, works typically described as tokens of the modernist book. This comparison is followed by a reading of the fundamental production strategies of the Book of Disquiet and a questioning of the contribution of digital archives to the concept of the book.

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Author Biography

Osvaldo Manuel Silvestre, Center for Portuguese Literature, University of Coimbra

Osvaldo Manuel Silvestre teaches in the Department of Languages, Literatures, and Cultures at the Faculty of Arts, University of Coimbra. He holds a Ph.D. in Literary Theory from the University of Coimbra. He has taught courses in the Modern Languages and Portuguese and Lusophone Studies BA Programs. He has also taught in the Art Studies Program (Aesthetics, Art and Multimedia, Introduction to New Media, Film Analysis). In collaboration with Luís Quintais, he has taught a course on «Anthropology and Literature» in the Department of Life Sciences at the University of Coimbra. At post-graduate level he has taught courses on Literary Theory and on Spanish Language Literature («The Worlds of Borges»). He was coordinator of the Portuguese and Lusophone Studies Program between 2006 and 2009. He has published articles and books on theory, aesthetics, Portuguese language literatures, comparative literature, contemporary art, and cultural criticism. He is a member of the Centre for Portuguese Literature at the University of Coimbra.

References

Fanta, Walter (2007). “The ‘Finale’ of Der Mann ohne Eigenschaften: Competing Editions and the ‘Telos’ of the Narrative.” A Companion to the Works of Robert Musil, Eds by Philip Payne, Graham Bartram, Galin Tihanov. Rochester. New York : Camden House. 371-393.

Flaubert, Gustave (1999). Correspondance I. Ed. Jean Bruneau. Paris: Gallimard. Bibliothèque de la Pléiade.

Groys, Boris (2008). Bajo sospecha: Una fenomenología de los medios. Valencia: Pre-Textos.

Monteiro, Adolfo Casais (1985). A Poesia de Fernando Pessoa. Org. José Blanco. Lisboa: IN-CM.

Pike, Burton (2007). “Der Mann ohne Eigenschaften: Unfinished or without End?” A Companion to the Works of Robert Musil. Eds Philip Payne, Graham Bartram, Galin Tihanov. Rochester, NY: Camden House. 355-369.

Pizarro, Jerónimo (2010). Pessoa Existe? Lisboa: Ática.

Prendergast, Christopher (2007). The Classic: Sainte-Beuve and the Nineteenth-Century Culture Wars. Oxford: Oxford University Press.

Rubim, Gustavo (2000). “Livro: o Único, o Múltiplo e o Inexistente.” Colóquio/Letras 155/156: 216-219.

Saraiva, Arnaldo (1982). “A Edição do Livro do Desassossego.” Persona 7: 58-60.

Soares, Bernardo (1982). Livro do Desassossego. Recolha e transcrição dos textos por Maria Aliete Galhoz e Teresa Sobral Cunha. Prefácio e Introdução de Jacinto do Prado Coelho. Lisboa: Ática. Vol. I.

Soares, Bernardo (2001). Livro do Desassossego. Edição de Richard Zenith. Lisboa: Assírio & Alvim. 3ª ed.

Soares, Bernardo (2010). Livro do Desasocego. Edição de Jerónimo Pizarro. Lisboa: IN-CM. Tomo I.

Tabucchi, Antonio (1984). “Uma Arca Cheia de Gente.” Pessoana Mínima. Lisboa: IN-CM. 9-33.

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Published

2014-11-08

How to Cite

Silvestre, Osvaldo Manuel. 2014. “O Que Nos Ensinam Os Novos Meios Sobre O Livro No Livro Do Desassossego”. MATLIT: Materialities of Literature 2 (1):79-98. https://doi.org/10.14195/2182-8830_2-1_4.

Issue

Vol. 2 No. 1 (2014): Book and Materiality

Section

Secção Temática | Thematic Section

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