Intellectual montage in Journey into the Fantastic

Authors

DOI:

https://doi.org/10.14195/2182-8830_9-1_7

Keywords:

montage, photobook, artist’s book, Journey into the Fantastic, Boris Kossoy

Abstract

This paper argues that Journey into the Fantastic, by Boris Kossoy, is an exemplary case of montage working as a creative process in photographic books. The work is an important contribution to the world of photobooks. Full of experimentation, it relates exercises of photographic expression to the exploration of conventional aspects of the support. By using Eisenstein's theory and typology, we describe how combinatorial patterns can be observed acting as meaning-making processes in this photographic book. We observe that juxtaposition types known as intellectual montage are the main processes regulating the relations established between its parts, scaffolding it as a whole.

Downloads

Download data is not yet available.

References

AMIEL, Vincent (2007). Estética da Montagem. Lisboa: Texto e Grafia.

AUMONT, Jacques, and Lee Hildreth (1983). “Montage Eisenstein I: Eisensteinian Concepts.” Discourse 5. 41-99.

BORGES, Jorge Luis (1949). El Aleph. Buenos Aires: Editorial Losada.

BOSI, Alfredo (2006). História Concisa da Literatura Brasileira. São Paulo: Cultrix.

CALVINO, Italo (1988). Six Memos for the Next Millennium. Cambridge: Harvard University Press.

CORTÁZAR, Julio (1971). “Algunos aspectos del cuento.” Cuadernos Hispanoamericanos 255. 403-406.

CORTÁZAR, Julio (1949). Los Reyes. Buenos Aires: Gulab y Aldabahor.

DI BELLO, Patrizia, Colette Wilson, and Shamoon Zamir, eds. (2012). The Photobook: From Talbot to Ruscha and Beyond. London: Routledge.

EISENSTEIN, Sergei (1977). Film Form: Essays on Film Theory. Trad. Jay Leyda. New York: Harvest/HBJ Book.

EISENSTEIN, Sergei (2016). Sergei M. Eisenstein: Notes for a General History of Cinema. Eds. Naum Kleiman and Antonio Somaini. Amsterdam: Amsterdam University Press.

EISENSTEIN, Sergei (1957). The Film Sense, Trad. Jay Leyda. New York: Meridian Books.

ELLESTRÖM, Lars. 2010. “The modalities of media: A model for understanding intermedial relations.” Media Borders, Multimodality, and Intermediality. Ed. Lars Elleström. Houndmills: Palgrave Macmillan. 11–48.

FERNÁNDEZ, Horacio (2011). The Latin American Photobook. Nova York: Aperture.

FRANCO, Gustavo (2014). “Modos ficcionais e historicidade: Charles Dickens, Franz Kafka, Raymond Carver.” História da Historiografia: International Journal of Theory and History of Historiography 7. 16: 121-137.

HJELMSLEV, Louis (1963). Prolegomena to a Theory of Language. Trad. Francis Whitfield. Madison: University of Wisconsin Press.

JAKOBSON, Roman (1959). “On Linguistic Aspects of Translation.” Translation. Ed. Reuben Brower. Cambridge: Harvard University Press.

KOSSOY, Boris (2002). Realidades e ficções na trama fotográfica. Cotia: Ateliê Editorial.

KOSSOY, Boris (1971). Viagem pelo Fantástico [Journey into the Fantastic]. São Paulo: Kosmos.

LAVIN, Maud, and Matthew Teitelbaum, eds. (1992). Montage and Modern Life, 1919-1942. Cambridge: Mit Press.

LOURENÇO, Allan (2017). “A fragmentação da experiência em Baudelaire por Walter Benjamin.” Cadernos Benjaminianos 13. 2: 243-261.

NEMCHENKO, Lilia (2018). “Montage as the Meaning-generative Principle of Avant-garde: From Montage in Cinema to Montage in Theatre (Soviet and Post-Soviet Theatre and Cinema)”. KnE Social Sciences 11. 1: 114–131.

PEIRCE, Charles S. (1998). Essential Peirce: Selected Philosophical Writings 2, 1893–1913. Ed. Peirce Edition Project. Bloomington: Indiana University Press. [Reference to vol. 2 of Essential Peirce was designated EP 2.].

PEIRCE, Charles S. (1931–1966). The Collected Papers of Charles S. Peirce, 8 vols. Eds. Charles Hartshorne et al. Cambridge: Harvard University Press. [Reference to Peirce’s papers was designated CP followed by volume and paragraph number.].

PHILLIPS, Christopher (1992). “Introduction”. Montage and Modern Life, 1919-1942. Eds. Maud Lavin, and Matthew Teitelbaum. Cambridge: Mit Press.

QUEIROZ, João, and Pedro Atã (2019). “Intersemiotic translation, cognitive artefact, and creativity”. Adaptation 12.3: 298-314.

RAJEWSKY, Irina (2005). “Intermediality, intertextuality, and remediation: A literary perspective on intermediality”. Intermédialités 6. 43–64.

RIEDEL, Dirce (2017). “Machado de Assis: a consciência do tempo.” Revista Brasileira de Literatura Comparada 1. 1: 110-116.

WOLF, Werner (2002). “Intermediality Revisited. Reflections on Word and Music Relations in the Context of a General Typology of Intermediality”. Word and Music Studies: Essays in Honor of Steven Paul Scher on Cultural Identity and the Musical Stage. 13-34.

WOLF, Werner (2011). “(Inter)mediality and the Study of Literature”. CLCWeb: Comparative Literature and Culture 13. 3: 1-9.

WOLF, Werner (2009). “Relations between Literature and Music in the Context of a General Typology of Intermediality”. Comparative Literature: Sharing Knowledges for Preserving Cultural Diversity 1. 133-155.

Downloads

Published

2021-11-17

How to Cite

Vitorio, Ana Paula. 2021. “Intellectual Montage in Journey into the Fantastic”. MATLIT: Materialities of Literature 9 (1):115-31. https://doi.org/10.14195/2182-8830_9-1_7.

Issue

Section

Secção Temática | Thematic Section