«A MORTE DO DIABO» E A PRIMEIRA VIDA DE CARLOS FRADIQUE MENDES, POETA SATÂNICO PORTUGUÊS

Authors

  • Irene Fialho

DOI:

https://doi.org/10.14195/2183-847X_1_10

Keywords:

Geração de 70, Cenáculo, A Morte do Diabo, Carlos Fradique Mendes

Abstract

Before the Conferências do Casino, the Geração de 70 devised other projects within Lisbon’s literary circle the Cenáculo. From philosophical, literary and musical discussions, two ground-breaking plans emerged, which would have different artistic outcomes: an extravagant and long forgotten opera draft, a satire to the state of Portugal then – A Morte do Diabo – and a satanic fictional poet – Carlos Fradique Mendes.

Downloads

Download data is not yet available.

Author Biography

Irene Fialho

CLP, Universidade de Coimbra
Capa da Revista de Estudos Literários n.º 1

Downloads

Published

2011-07-31

Issue

Vol. 1 (2011): Os Estudos Literários em Portugal no Século XX

Section

Secção Não-Temática

License

Copyright (c) 2011 Irene Fialho

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows sharing the work with recognition of authorship and initial publication in Antropologia Portuguesa journal.