O CADERNO, O VELHO E AS TRÊS MULHERES. RAINHAS DA NOITE, UM ROMANCE INDICIÁRIO
DOI:
https://doi.org/10.14195/2183-847X_5_16Keywords:
Rainhas da Noite, João Paulo Borges Coelho, historical novel, ‘indiciary paradigm’, cultural memoryAbstract
Throughout a reading of the latest novel published by João Paulo Borges Coelho, Rainhas da Noite (2013), this article aims at proposing a reflection regarding different critical paradigms – traces, clues, archive and witness – which appear to be crucial in this novel, as well as in Borges Coelho literary project. Addressing literary writing as a practice of critical reflection, a number of significant epistemological aspects occur, defining this novel as a place of production of historical and philosophical knowledge that become crucial for the creation of a “cultural memory” in Mozambique.
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