THE SUBTLETIES OF VERISIMILITUDE AND THE VARIATIONS OF REALITY

Authors

  • Maria Lúcia Outeiro Fernandes UNESP/Araraquara

DOI:

https://doi.org/10.14195/2183-847X_8_17

Keywords:

Victor Giudice, verisimilitude, realism, hyperrealism, Postmodernism

Abstract

Recalling some of Victor Giudice ’s lessons during a fiction workshop, the author reflects on the role of verisimilitude in the construction of the realistic discourse in different contexts of the main manifestations of realistic literature from the nineteenth-century novel to the postmodern hyperrealistic narratives. The essay aims to analyze the short story “The Darbot Museum” as an example of contemporary hyperrealistic art in the sense that Hal Foster uses this denomination, that is, as art that adopts a referential and representational model.

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Published

2018-11-28

Issue

Vol. 8 (2018): Do Post-Modernismo ao Hipercontemporâneo: os caminhos das Literaturas em Língua Portuguesa

Section

Secção Não-Temática

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows sharing the work with recognition of authorship and initial publication in Antropologia Portuguesa journal.