Vox Mediarama: Um Audioguia
DOI:
https://doi.org/10.14195/2182-8830_5-1_5Palavras-chave:
poesia sonora, paisagem sonora, narrativa sonora, arte sonora, voz, mediaResumo
Este artigo contém a apresentação de quinze obras sonoras selecionadas para publicação na secção "Mediarama" da MATLIT 5.1.
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Referências
AKTORIES, Susana González (2008). “Poesía Sonora, Arte Sonoro: Un Acercamiento a Sus Procesos de Semiosis.” Acta Poetica, 29.2: 375–92.
BIJSTERVELD, Karin, and José van Dijck, eds. (2009). Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press.
CUSSEN, Felipe (2014). “Quise grabar un disco de poesía sonora, pero me salió música electrónica.” CECLI - Centro de Estudios de Cosas Lindas e Inútiles. 13 Jan 2018. http://ceclirevista.wordpress.com/2014/07/23/quise-grabar-un-disco-de-poesia-sonora-pero-me-salio-musica-electronica/
CURTIN, Adrian (2016). Avant-Garde Theatre Sound: Staging Sonic Modernity. Basingstoke: Palgrave Macmillan.
DENNING, Michael (2015). Noise Uprising: The Audiopolitics of a World Musical Revolution. London: Verso.
LABELLE, Brandon (2014). Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary. London: A&C Black/ Bloomsbury.
LOVELL, Stephen (2015). Russia in the Microphone Age: A History of Soviet Radio, 1919-1970. Oxford: Oxford University Press.
McCAFFERY, Steve, and Enzo Minarelli (2014). “Steve McCaffery.” As Razões da Voz: Entrevistas com Protagonistas da Poesia Sonora no Século XX, Londrina: EDUEL. 144–62.
NEUMARK, Norie (2017). Voicetracks: Attuning to Voice in Media, and the Arts. Cambridge, MA: The MIT Press.
PERLOFF, Marjorie, and Craig Douglas Dworkin, eds. (2009). The Sound of Poetry, the Poetry of Sound. Chicago: The University of Chicago Press.
RUBERY, Matthew, ed. (2011). Audiobooks, Literature, and Sound Studies. London: Routledge.
SCALES, Rebecca (2016). Radio and the Politics of Sound in Interwar France, 1921-1939. Cambridge: Cambridge University Press.
SMITH, Jacob (2008). Vocal Tracks: Performance and Sound Media. Los Angeles, CA: University of California Press.
STERNE, Jonathan (2012). MP3: The Meaning of a Format. Durham, NC: Duke University Press.
BIJSTERVELD, Karin, and José van Dijck, eds. (2009). Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press.
CUSSEN, Felipe (2014). “Quise grabar un disco de poesía sonora, pero me salió música electrónica.” CECLI - Centro de Estudios de Cosas Lindas e Inútiles. 13 Jan 2018. http://ceclirevista.wordpress.com/2014/07/23/quise-grabar-un-disco-de-poesia-sonora-pero-me-salio-musica-electronica/
CURTIN, Adrian (2016). Avant-Garde Theatre Sound: Staging Sonic Modernity. Basingstoke: Palgrave Macmillan.
DENNING, Michael (2015). Noise Uprising: The Audiopolitics of a World Musical Revolution. London: Verso.
LABELLE, Brandon (2014). Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary. London: A&C Black/ Bloomsbury.
LOVELL, Stephen (2015). Russia in the Microphone Age: A History of Soviet Radio, 1919-1970. Oxford: Oxford University Press.
McCAFFERY, Steve, and Enzo Minarelli (2014). “Steve McCaffery.” As Razões da Voz: Entrevistas com Protagonistas da Poesia Sonora no Século XX, Londrina: EDUEL. 144–62.
NEUMARK, Norie (2017). Voicetracks: Attuning to Voice in Media, and the Arts. Cambridge, MA: The MIT Press.
PERLOFF, Marjorie, and Craig Douglas Dworkin, eds. (2009). The Sound of Poetry, the Poetry of Sound. Chicago: The University of Chicago Press.
RUBERY, Matthew, ed. (2011). Audiobooks, Literature, and Sound Studies. London: Routledge.
SCALES, Rebecca (2016). Radio and the Politics of Sound in Interwar France, 1921-1939. Cambridge: Cambridge University Press.
SMITH, Jacob (2008). Vocal Tracks: Performance and Sound Media. Los Angeles, CA: University of California Press.
STERNE, Jonathan (2012). MP3: The Meaning of a Format. Durham, NC: Duke University Press.
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Publicado
2017-12-27
Como Citar
Neves, Nuno Miguel, e Tiago Schwäbl. 2017. «Vox Mediarama: Um Audioguia». Matlit: Materialidades Da Literatura 5 (1):65-73. https://doi.org/10.14195/2182-8830_5-1_5.
Edição
Secção
Mediarama | Mediascape
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